What if Video Game Industry will be different and better from these days?/Nintendo/Keroro Frog/The Adventures of Keroro Frog (2025)

Table of Contents
Contents Synopsis[] Writing[] Voices[] Production[] Animation[] Music[] Opening and closing sequences[] Episodes[] Wraparound cartoons[] Episode Guide[] Trivia[]

The Adventures of Keroro Frog is a Japanese-American crossover, comedy, slapstick, action-adventure, and science fiction, based on the video game series Keroro Frog. It is the fourth animated series produced by Amblimation, Warner Bros. Television Animation, Nintendo of America, and Nintendo Pictures. It is created by Tom Ruegger, Spike Brandt, Tony Cervone, and Sherri Stoner. Executive producer by Steven Spielberg, [better creator being likable, heart of gold, creativity, soul, charm, mature, selfless, smart, childlike, mature, fun, passion, care, love, and respect instead of so rude, greedy, lazy, soulless/heartless, corporate, childish, controversial, uncharm, uncreative, boring, stupid, sterile, disrespect, selfish, and money], Shigeru Miyamoto, Hiroshi Yamauchi (1998-2002), Minoru Arakawa (1998-2001), Satoru Iwata (2002-2020), Shuntaro Furukawa (2020-present), Peter Moore (2001-2004), Reggie Fils-Aimé (2004-2019), [better Nintendo of America CEO being likable, heart of gold, creativity, mature, soul, charm, selfless, smart, childlike, mature, fun, passion, care, love, and respect instead of so rude, greedy, lazy, uncreativity, soulless/heartless, corporate, childish, controversial, uncharm, uncreative, boring, stupid, sterile, disrespect, selfish, and money] (2019-present). The series' popularity has made it a media franchise, as well as one of the highest rated series it airs on Cartoon Network, Cartoon Network Japan, and TV Tokyo, with reruns airing on Kids' WB and Boomerang, since September 11, 1998. The show was generally well-received for its animation, voice acting, creativity, innovation, humor, meta humor, story, its artstyle, variety, theme song, cartoon violence, easter eggs, originality, references, world building, running gags, characters, well written, music, sound effects, overall charm, and faithfulness to the video games. The series is also noted as a cultural touchstone of Millennials, Generation Z, and Generation Alpha.

Contents

  • 1 Synopsis
  • 2 Writing
  • 3 Voices
  • 4 Production
    • 4.1 Animation
    • 4.2 Music
  • 5 Opening and closing sequences
  • 6 Episodes
    • 6.1 Wraparound cartoons
    • 6.2 Episode Guide
  • 7 Trivia

Synopsis[]

The misadventures of a talking anthropomorphic-toon green frog who going his journey and experiences with various Time Warner (Warner Bros. Animation, Warner Bros. Television Animation, Warner Bros. original live action movies and shows, Warner Bros. Interactive Entertainment, Hanna-Barbera (both old and new instead of OTL's bad reboots and OTL's live action), DC (Instead of being live action and OTL's bad reboots, the DC characters will be animated and will be designed like their many shows such as Batman: The Animated Series, Superman: The Animated Series, Static Shock, The Zeta Project, Justice League (TV series), Justice League Unlimited, Justice League Action, The Batman (2005), Teen Titans (2003), and DC Super Hero Girls (2019 TV series)), Cartoon Network (both old and new instead of OTL's bad reboots and OTL's live action), Metro-Goldwyn-Mayer, Adult Swim, Williams Street, Cartoonito, Fresh TV, Rooster Teeth, HBO, New Line Cinema, Twenty Twenty Television, Castle Rock Entertainment, Viz Media, Eyeworks, Warner Vision International, Lorimar, WCW, Braves Baseball, MAD Magazine, Alloy Entertainment, Blue Ribbon Content, Seven Arts Pictures, Helkon SK, Picturehouse, United Artists, Orion Pictures, Renegade Pictures, Midway Aracde, Telepictures, Warner Music Group, Cannon Group, The Geffen Film Company, Warner Horizon Television, and Framegraphics), and Nintendo characters (Nintendo, HAL Laboratory, Intelligent Systems, Pikachu Project, AlphaDream, Monolith Soft, Sega, Sonic Team, Overworks, Camelot Software Planning, Ryu Ga Gotoku Studio, Smilebit, Atlus, SEGA Technical Institute, Hardlight, Compile, Sega Racing Studio, Two Point Studios, Rareware, Hudson Soft, Bandai, Platinum Games, Cing Inc., Skip Ltd., MercurySteam, Next Level Games, and Vanpool) characters and properties. The character-driven mixture of both shonen Japanese anime and American slapstick comedy cartoons chronicles the adventures of the series' main protagonist is Keroro Frog, an mischievous, humorous like many Looney Tunes characters, laid-back, and clever karmic trickster like Bugs Bunny, Jerry Mouse, Slappy Squirrel, Buster Bunny, Babs Bunny, Pink Panther, and OTL's AOSTH version of Sonic the Hedgehog, he is fearless/brave and heroic like many Nintendo, Sega, and Rareware protagonists, snarky and cool like mix of Shiro Maekawa and Kiyoko Yoshimura, OG JP, and OTL's AOSTH versions of Sonic the Hedgehog, selfless, optimistic, intelligent/smart, stoic, maturity, childlike, carefree, happy-go-lucky, and earnest frog and all his original, Warner Bros., & Nintendo friends. However, when the peaceful the universe is shattered by threats such as terrestrial, alien, a magical, supernatural, creepy, strange element appears, and more, it is up to Keroro to save the universe and those who reside there, in addition to original characters and locations created specifically for the series like the games did.

Keroro Frog is the host of the series, normally introducing to the viewers the segments presented in the episodes. Every episode is split into two and three segments starring the characters from various original, Warner Bros, and Nintendo characters along with two mini-skits: the first between the first and the second segment and the second between the second and the third segment.

The series has a major focus on mixture of Japanese shonen anime and American slapstick-comedy cartoons, Looney Tunes gags, music from the various original, Warner Bros., & Nintendo, featuring original and creative stories (due to lacked of repetitive and bland stories with meh to worse written), parodies (due to in the case of properties owned by TimeWarner and Nintendo can be used for product placement), modern remakes of episodes, episodes based on the games, episodes based on the TimeWarner and Nintendo, episodes based on the comics, and episodes based on the manga. Like the Looney Tunes/Merrie Melodies franchise/MGM Cartoons/DePatie-Freleng, Tiny Toon Adventures, Animaniacs, The Mask, Ed, Edd, n Eddy, Super Mario franchise, , Kirby series, The Amazing World of Gumball, and Gear 5 from One Piece, this series makes use of cartoon violence (e.g. anvils, pianos and safes falling on someone, someone getting whacked on the head by a mallet, liberal use of explosives, and etc), cartoon physics, wild takes, and slapstick instead of power scaler, flat, nerfed, limits, plot armor but still struggle in fights, realistic violence, gore, & blood.

This show is a variety show, similar to Looney Tunes/Merrie Melodies franchise/MGM Cartoons/DePatie-Freleng, Tiny Toon Adventures, and Animaniacs, with short skits featuring a large cast of original, Warner Bros., and Nintendo characters. While the show had no set format, the majority of episodes were composed of three short mini-episodes, each starring a different set of original, Warner Bros., and Nintendo characters, and bridging segments.

Since Nintendo bought Sega in 2001, the series features a short PSA segment titled "Sonic Says" at the end of each episode during the fourth season-present.

Writing[]

The show features the entire cast keep to their original roots and acting the same as they were in Keroro Frog (video game series) instead of made to attract a new audience, unfaithful, charmless, boring, and cash grab.

Besides Shigeru Miyamoto, [better creator being likable, heart of gold, creativity, soul, charm, selfless, smart, childlike, mature, fun, passion, care, love, and respect instead of so rude, greedy, lazy, soulless/heartless, corporate, childish, controversial, uncharm, uncreative, boring, stupid, sterile, disrespect, selfish, and money], Yamauchi (1998-2002), Iwata (2002-2020), Furukawa (2020-present), Arakawa (1998-2001), Moore (2001-2004), Fils-Aimé (2004-2019), [better Nintendo of America CEO being likable, heart of gold, creativity, soul, charm, selfless, smart, childlike, mature, fun, passion, care, love, and respect instead of so rude, greedy, lazy, soulless/heartless, corporate, childish, controversial, uncharm, uncreative, boring, stupid, sterile, disrespect, selfish, and money] (2019-present), Ruegger, Brandt and Cervone, so many crew members already worked with other Warner Bros and Nintendo-related projects, with the writing inspired by the works from various Warner Bros. & Nintendo staffs.

Occasionally, the voice cast provides the writing for some segments.

The level concept story pacing of Kirby series, Regular Show, and Wonder Flower Effects from Super Mario Bros. Wonder in every episode.

The games would be more connected with characters and ideas of every games seeping into every games.

Let the every writers have 100% freedom instead of mandates.

Every seasons also feature title cards influenced by the Looney Tunes/Merrie Melodies/MGM Cartoons shorts, DePatie-Freleng shorts (due to William Hanna and Joseph Barbera worked for Warner Bros. after leaving MGM and retained the rights for Tom and Jerry), and Ed, Edd, n Eddy, while animated title cards influenced by the I Am Weasel and Pink Panther Tales.

Most episodes are rated TV-Y7-FV (1998-present) with some being rated TV-PG & TV-PG-V (2008-present) due to the show would be family-friendly audiences instead of TV-Y, TV-14, and TV-MA.

Voices[]

Most of the voice recording for the series was set in Los Angeles, save for the every Nintendo, Sega, and Rareware franchises, every Cartoon Network Studios Canada shows (formerly a.k.a Cartoon in 1994-2002), every Cartoon Network Studios Europe/Hanna-Barbera Studios Europe, Xenoblade Chronicles, Fresh TV, every Hanna-Barbera Studios Japan shows, and every Cartoon Network Studios Japan shows (set in New York City, Japan, Vancouver, British Columbia, Canada, and London, England, United Kingdom, respectively).

Let the every voice actors have 100% freedom instead of mandates.

The only characters to be recast on it were Paul, since Keiji Fujiwara has passed from acting in 2019, Eddy since Tony Sampson has retired from acting in 2010, and Skippy, Tails, Mac, Chowder, Gumball, and Darwin since their voice actors are no longer children.

As a result, Paul is now JP voiced by TBD, Eddy is now voiced by Lee Tockar, Mac and Skippy by [child] and Chowder by Tex Hammond and [child] who is also Grey Griffin's son like Gumball and Darwin did.

After Charles Martinet retired, Jesse Pinnick would have been a much better casting for Mario/Dr. Mario, Luigi/Dr. Luigi, Wario, Waluigi, Baby Mario, Baby Luigi, Baby Wario, Baby Waluigi, and Toadsworth starting Super Mario Bros. Wonder instead of Kevin Afghani.

Laura Faye Smith remains as the current voice of Rosalina, she gives off a vocal performance more faithful to Mercedes Rose and Kerri Kane starting Super Mario One-4-All. Also, the reverb effect was added back to her voice.

Mike Pollock voices Eggman due to Deem Bristow's death in January 2005, and Tails is voiced by Colleen O'Shaughnessey (instead of William Corkery) since Mario Kart: Double Dash!! and Sonic Heroes, as Nintendo & Sega wanted to avoid having to replace child actors as they age.

Don't using soundalikes and celebrity voices instead the return of most of the original voices.

The Japanese voice cast is unchanged.

Production[]

Nintendo announced that they were collaborating with Warner Bros. Television Animation & Amblimation to make an new, long-form Keroro Frog television series. In early 1998, it was announced that the series, now titled The Adventures of Keroro Frog, would premiere in the September on Cartoon Network, Kids' WB, Cartoon Network Japan, and TV Tokyo.

The aim of the adaptation based on Keroro Frog was for the mixture of both shonen Japanese anime and American comedy cartoons to match the tone of Looney Tunes/Merrie Melodies franchise/MGM Cartoons/DePatie-Freleng (including its spin-offs Tiny Toon Adventures, Animaniacs, Pinky and the Brain, Slappy Squirrel, and The Goodfeathers) Toonsylvania, Out of Jimmy's Head (unlike IOTL), Hanna-Barbera, 90s and early 2000s' Cartoon Network (unlike the OTL's modern), every Nintendo & Sega franchises, and Captain N (unlike IOTL) while staying faithful to the source material instead of made to attract a new audience and cash grab. This led to the mixture of American slapstick-comedy cartoons, Japanese shonen action-packed roots, Kirby, Regular Show, Wonder Flower Effects from Mario Wonder pacing, and heartwarming moments in every episode while keep the gag series instead of generic sitcom, drama, and serious.

Let the every staffs have 100% freedom instead of mandates.

Make the show more creative freedom and not bogged down by executive meddling, mandates, and restrictions.

The show would be family-friendly audiences instead of preschool and mature audiences.

Animation[]

Adventures of Keroro Frog has been farmed out to several different animation studios. Toei Animation, Toho Co. Ltd., TMS Entertainment (formerly as Tokyo Movie Shinsha and Kyokuichi-Tokyo Movie Shinsha), OLM, Inc. (Team Ota (1998–2006), Team Iguchi (2006–2009), Team Kato (2010–2024), Team Kumemura (2024–present) (formerly as Oriental Light & Magic, Inc.), Studio Pierrot, Mook Animation, Sunrise, Wit Studio, Rough Draft Korea, Wang Film Productions, AKOM, Yeson Entertainment, Yearim Productions, Toon City, Tonic DNA, Saerom Animation, SunMin Image Pictures, Startoons, Bones (studio), Yowza! Animation, Snipple Animation Studios, Hong Ying Animation, Digital eMation, Lotto Animation, Dong Woo Animation, Flying Bark Productions, Cartoon Network Studios Canada, Hanna-Barbera Cartoons, Hanna-Barbera Studios Japan, and Powerhouse Animation.

Like Tiny Toon Adventures, Animaniacs, and Ed, Edd, n Eddy. The Adventures of Keroro Frog is made with a higher production value than standard television animation. It has a digitally-colored drawing count that was more than double that of most television animation. The series have about 35,000 digitally-colored drawings per episode instead of the standard 10,000.

The Adventures of Keroro Frog is noted for its intentional stylistic disunity and medium blending, with characters designed, filmed, and animated using various styles and techniques, oftentimes within the same scene (Western hand-drawn animation, Japanese anime animation, puppetry, CGI produced by Marza Animation Studios due to Nintendo acquiring Sega in 2001, stop motion, Flash animation, live-action, etc.) Similar to Super Smash Bros. series, Cartoon Network City, Courage the Cowardly Dog, Chowder, The Misadventures of Flapjack, Adventure Time, and The Amazing World of Gumball in every episodes rather than just force one art style on every character.

During 2008-present, in CGI background produced by Marza Animation Planet due to Nintendo acquiring Sega in 2001.

Give the animators are full of freedom, consistent, charm, and fun instead of limited, inconsistent, boring, uncharm, and restrictions.

Boulder Media, Studios SOI, Jam Filled Entertainment, and Renegade Animation including flash characters Foster’s Home for Imaginary Friends, Hi Hi Puffy Amiyumi, The Amazing World of Gumball, and DC Super Hero Girls (2019 TV series).

Music[]

The music for the series has been primarily composed by various Warner Music Group (formerly Warner Music 1998-2001) and Nintendo Music Live composers.

More similarly to Super Smash Bros. multiple composers. Mainly consist of music staff of Warner Bros. Hanna-Barbera, DC, Cartoon Network, Metro-Goldwyn-Mayer, Adult Swim, Williams Street, Cartoonito, Fresh TV, Rooster Teeth, Framegraphics, Nintendo, HAL Laboratory, Intelligent Systems, Pikachu Project, AlphaDream, Monolith Soft, Sega, Sonic Team, Overworks, Camelot Software Planning, Ryu Ga Gotoku Studio, Smilebit, Atlus, SEGA Technical Institute, Hardlight, Compile, Sega Racing Studio, Two Point Studios, Rareware, Hudson Soft, Bandai, Platinum Games, Cing Inc., Skip Ltd., MercurySteam, Next Level Games, Vanpool, and freelance musicians. All composers are Warner Music Group (formerly Warner Music 1998-2001) and Nintendo Music Live, having worked at various companies from Japan, United States, the United Kingdom, and Canada.

Make the various original, Warner Bros., and Nintendo music references similar to The Super Mario Bros. Movie instead of make the licensed musics from Telepictures Music.

It was strongly influenced by Carl Stalling, Scott Bradley, Milt Franklyn, Hoyt Curtin, Ted Nicholas, Richard Stone, Akifumi Tada, Hirokazu Tanaka, various Nintendo & Sega composers, and Shinji Miyazaki work on the Looney Tunes/Merrie Melodies series, various Nintendo & Sega games, and Pokémon anime due to feels like a mix of Warner Bros. & Nintendo.

Let the every composers have 100% freedom instead of mandates.

Opening and closing sequences[]

The opening sequence featuring Warner Bros. Family Entertainment & Nintendo Pictures logo use a re-orchestration of Max Steiner's fanfare for the 1937 Warner Bros. Pictures logo similar to Looney Tunes 90s shorts.

The opening sequences starts with the traditional "Warner Bros. Television Animation & Nintendo Pictures" rings, followed by a sequence inspired by Looney Tunes/Merrie Melodies franchise and the ending sequences featuring a recreation of the handwritten "That's all, folks!" closing sequence at the tune of Merry-Go-Round Broke Down (odd) & Merrily We Roll Along (even) from Looney Tunes/Merrie Melodies franchise with the traditional Steven Spielberg Presents: The Adventures of Keroro Frog and "A Warner Bros. & Nintendo Cartoon".

Keroro Frog riding on Warner Bros. and Nintendo logos just like Bugs Bunny rides the shield, then It says Steven Spielberg Presents: The Adventures of Keroro Frog and "A Warner Bros. & Nintendo Cartoon". Animated by TMS Entertainment.

Every episode ends with a Warner Bros. Television Animation and Nintendo Pictures variant logo with many original, Warner Bros, and Nintendo characters saying That's all, folks! in the Looney Tunes rings, accompanied by the closing version of Merry-Go-Round Broke Down (odd) & Merrily We Roll Along (even).

The Adventures of Keroro Frog "That's all Folks!" "A Warner Bros. & Nintendo Cartoon", closing title gags similar to Looney Tunes/Merrie Melodies franchise.

Episodes[]

Wraparound cartoons[]

  • Merrie Melodies adapted from The Looney Tunes Show (2011).
  • Sonic Says (also known as Sonic Sez): adapted from the Sonic Sez/Sonic Says segments based on OTL’s Adventures of Sonic the Hedgehog due to Nintendo acquiring Sega in 2001.
  • Channel DDD adapted from Kirby Right Back at Ya!
  • Toon Marooned adapted from Looney Tunes webtoons
  • Judged Granny adapted from Looney Tunes webtoons
  • ACME Marches on!
  • Keroro's guide to Visual Gags
  • CNN: Toon Edition
  • Tom and Jerry's Dynamite (inspired by Donald's Dynamite from Mickey Mouse's Wacky Adventures)
  • Wile E. Coyote and Dr. Eggman's House of Super Genius due to Nintendo acquiring Sega in 2001.
  • Completely Wacky Video (inspired by Totally Tasteless Video from Disney's Raw Toonage)
  • Swampy Fox and the Gator Brothers (a continuation to the segment series from Looney Tunes Kids)
  • TBD
  • TBD
  • TBD
  • TBD
  • TBD

Episode Guide[]

  • Season 1 (September 11, 1998-March 12, 1999)
  • Season 2 (August 6, 1999-January 28, 2000)
  • Season 3 (June 23, 2000-November 3, 2000)
  • Season 4 (May 4, 2001-October 26, 2001)
  • Season 5 (February 15, 2002-August 9, 2002)
  • Season 6 (October 18, 2002-April 11, 2003)
  • Season 7 (August 9, 2003-January 30, 2004)
  • Season 8 (July 9, 2004-December 31, 2004)
  • Season 9 (February 18, 2005-August 12, 2005)
  • Season 10 (December 9, 2005-June 2, 2006)
  • Season 11 (September 15, 2006-March 9, 2007)
  • Season 12 (July 27, 2007-December 21, 2007)
  • Season 13 (April 4, 2008-September 26, 2008)
  • Season 14 (March 27, 2009-September 11, 2009)
  • Season 15 (February 5, 2010-July 30, 2010)
  • Season 16 (October 15, 2010-April 8, 2011)
  • Season 17 (September 23, 2011-March 23, 2012)
  • Season 18 (August 10, 2012-January 18, 2013)
  • Season 19 (May 17, 2013-November 8, 2013)
  • Season 20 (January 17, 2014-July 11, 2014)
  • Season 21 (October 3, 2014-March 27, 2015)
  • Season 22 (July 3, 2015-December 25, 2015)
  • Season 23 (June 10, 2016-December 2, 2016)
  • Season 24 (February 17, 2017-August 11, 2017)
  • Season 25 (October 6, 2017-March 30, 2018)
  • Season 26 (July 27, 2018-January 18, 2019)
  • Season 27 (April 12, 2019-October 4, 2019)
  • Season 28 (April 3, 2020-September 25, 2020)
  • Season 29 (February 26, 2021-August 20, 2021)
  • Season 30 (December 10, 2021-June 3, 2022)
  • Season 31 (September 2, 2022-February 24, 2023)
  • Season 32 (May 5, 2023-October 27, 2023)
  • Season 33 (April 5, 2024-September 27, 2024)
  • Season 34 (October 25, 2024-April 18, 2025)
  • Season 35 (TBD 2025)
  • Season 36 (TBD)

Trivia[]

  • Unlike IOTL, this version would've been both more critical and commercial successful and would receive better reviews in the AU.
    • After the commercial success of Keroro Frog (1997 video game). It would get an animated series based on Keroro Frog. The show would've produced by Amblimation, Warner Bros. Television Animation, Nintendo of America, and Nintendo Pictures rather than Sunrise, Gathering, NAS, TV Tokyo, Funimation, and Discotek Media (home video).
      • The show would airs on Cartoon Network (1998-present) with reruns airing on Kids' WB (1998-present) and Boomerang (2000-present) while still on Cartoon Network Japan (1998-present) and TV Tokyo (1998-present) rather than Animax, Sony YAY!, Crunchyroll, Funimation, and Blockbuster Online.
      • The show would've kept on Cartoon Network and Kids' WB instead of moved to Boomerang.
      • Streaming services: HBO Max (2016-present), Blockbuster Online, and Hulu rather than Crunchyroll and Funimation.
      • The show is released on DVD, Blu-Ray (2006-present), VHS, and Digital HD from Warner Home Video/Warner Bros. Home Entertainment, Nintendo Pictures, Nintendo of America, and Amblimation instead of Discotek Media, Bandai Visual, and Funimation.
    • The series would run from 1998 to present day, which would've made it as one of the longest-running video game animated television series in television history, along with Super Mario Adventures, Sonic and the Stories of Mobius, Pokémon (anime), and Walt Disney/Square Namco's Kingdom Hearts Legends ITTL.
      • This show would serves as Cartoon Network and Kids' WB's longest-running animated series and one of the longest-running video game animated television series in television history ITTL instead of being cancelled in April 3, 2011.
      • The series would series premiere in September 11, 1998 during on Cartoon Network during Powerhouse era ITTL instead of April 3, 2004.
    • Genres: Action-adventure, crossover fiction, comedy, slapstick, satire, and science fiction.
    • Also known as: Steven Spielberg Presents The Adventures of Keroro Frog.
    • The Adventures of Keroro Frog would be it feels more like a mix of Warner Bros. and Nintendo due to the franchise would've co-owned by Warner Bros., Nintendo, and Amblin Entertainment instead of anime/manga and Invader Zim.
      • Keep more creativity, experimental, innovation, weird, freedom, interesting, consistent, fresh, unpredictable, charm, fun, and original while feels like a mix of Warner Bros. & Nintendo due to lacked of repetitive, safe, rehashed nostalgia pandering, boring, uninteresting, inconsistent, restrictions/mandates, predictable, uncharm, basic, and bland ones.
    • The segments are still called "cartoons".
    • Keep the weekly series instead of seasonal series.
    • No more development hell due to lacked of strict deadline.
    • The show would be family-friendly audiences instead of preschool and mature audiences.
    • Make sure the whole show has evolved and improved over the years with more personalities, maintaining strong whole show in general without losing momentum.
    • The show would be more localized ITTL rather than just Japan-only.
      • Don't make the show region exclusives instead make the show worldwide.
    • This show is a variety show, similar to Looney Tunes/Merrie Melodies franchise, Tiny Toon Adventures, and Animaniacs, with short skits featuring a large cast of characters with various original, TimeWarner & Nintendo characters. While the show had no set format, the majority of episodes were composed of three seven minute episodes and still two eleven back-to-back episodes, each starring a different set of characters, and bridging segments while half-hour and full-hour special episodes.
      • The series still takes on a more episodic approach instead of surreal philosophical serialized/story-driven comedy-drama, continuity chronological order, and having to rush through everything.
        • Don't be rushed and too fast instead make sure slow, steady and smooth due to lacked of strict deadline.
      • Keep the silly wacky fun adventures with no darker lore due to proper episodic approach and timeless instead of the silly wacky adventures with darker lore.
        • Keep more creativity, experimental, innovation, weird, freedom, interesting, consistent, fresh, unpredictable, charm, fun, and original while feels like a mix of Warner Bros. & Nintendo due to lacked of repetitive, safe, rehashed nostalgia pandering, boring, uninteresting, inconsistent, restrictions/mandates, predictable, uncharm, basic, and bland ones.
    • Have 26 episodes in an every season due to American TV season rather than 52 episodes, 13 episodes, and being sent to Boomerang.
      • Don't cut short due to 100% creative freedom instead of executive meddling, restrictions, and mandates.
    • The aim of the adaptation based on Keroro Frog, was for the balanced Japanese-American shonen action-packed-classic slapstick-comedy golden age cartoons cartoon to match the tone of Looney Tunes/Merrie Melodies franchise/MGM Cartoons/DePatie-Freleng (including its spin-offs Tiny Toon Adventures, Animaniacs, and Pinky and the Brain), Steven Spielberg/Tom Ruegger Warner Bros. animated series from the '90s, Toonsylvania, TTL's Out of Jimmy's Head, Hanna-Barbera, classic Cartoon Network shows from the '90s-early 2000's, various Nintendo & Sega franchises, and TTL's Captain N while 100% staying faithful to the source material instead of made to attract a new audience and cash grab. This led to the mixture of Japanese shonen action-packed roots, American slapstick-comedy golden age classic cartoons, Kirby series, Regular Show, Wonder Flower Effects from Mario Wonder pacing, and heartwarming moments in every episode while keep the gag series instead of generic sitcom, drama, and serious.
      • Keep more creativity, experimental, innovation, weird, freedom, interesting, consistent, fresh, unpredictable, charm, fun, and original while feels like a mix of Warner Bros. & Nintendo due to lacked of repetitive, safe, rehashed nostalgia pandering, boring, uninteresting, inconsistent, restrictions/mandates, predictable, uncharm, basic, and bland ones.
    • In this timeline, the show has been farmed out to several different animation studios: Toei Animation, Toho Co. Ltd., TMS Entertainment (formerly as Tokyo Movie Shinsha and Kyokuichi-Tokyo Movie Shinsha), OLM, Inc. (Team Ota (1998–2006), Team Iguchi (2006–2009), Team Kato (2010–2024), Team Kumemura (2024–present) (formerly as Oriental Light & Magic, Inc.), Studio Pierrot, Mook Animation, Sunrise, Wit Studio, Rough Draft Korea, Wang Film Productions, AKOM, Yeson Entertainment, Yearim Productions, Toon City, Tonic DNA, Saerom Animation, SunMin Image Pictures, Startoons, Bones (studio), Yowza! Animation, Snipple Animation Studios, Hong Ying Animation, Digital eMation, Lotto Animation, Dong Woo Animation, Flying Bark Productions, Cartoon Network Studios Canada, Hanna-Barbera Cartoons, Hanna-Barbera Studios Japan, and Powerhouse Animation rather than Gathering.
      • Boulder Media, Studios SOI, Jam Filled Entertainment, and Renegade Animation including flash characters Foster’s Home for Imaginary Friends, Hi Hi Puffy Amiyumi, The Amazing World of Gumball, and DC Super Hero Girls (2019 TV series).
      • During 2008-present, in CGI background produced by Marza Animation Planet due to Nintendo acquiring Sega in 2001.
    • Keep the full of heart/soul, charm, innovation, smart, creative freedom, likable, creativity, love, care, selfless, respect, passion, and fun in general instead of just brand/mandates, stale, corporate greed, money, stupid, rude, stubborn, selfish, uncreativity, uncharm, disrespect, soulless, and boring.
    • The show never get Seasonal Rot instead keep it get seasonal improvement would became better in general.
    • The narrator still being an actual character and interactive narrator due to the characters remains unflanderized. More than just exposition/set up/wrap up, they’re still actually just as important to the comedy and world of the series.
      • Voiced by Tom Kane (1997-2020) and Nolan North (2020-present) instead of R Bruce Elliott.
      • JP voiced by Keiji Fujiwara (1997-2020) and TBD (2020-present).
      • Keep the more creativity, experimental, freedom, innovation, consistent, weird, interesting, fresh, unpredictable, charm, and original while feels like a mix of Warner Bros. & Nintendo rather than repetitive, safe, rehashed nostalgia pandering, inconsistent, lackluster, cringe, feeling forced, uninteresting, predictable, basic, and bland.
    • Don't trying to use the show to appeal to activists, political ideologies, and too woke in general.
    • The show would've traditional cel animation for the 1998-2000 ITTL.
    • In 2001, the show would transitioning from cel animation to still digital because they didn't use it as an excuse to get lazy with the show.
      • For example, Ed, Edd, n Eddy is a great example of a cartoon transitioning from cel animation to digital because they didn't use it as an excuse to get lazy with the show.
    • After standard-definition, the show is still now in high definition and widescreen in 2002-present because they didn't use it as an excuse to get lazy with the show instead of 2010.
    • Unlike the OTL's Teen Titans GO!, many OTL's bad shows, and OTL's bad reboot shows.
    • In this timeline, Warner Bros. Family Entertainment, Warner Bros. Television Animation, Nintendo Pictures, and Amblimation treated TTL's The Adventures of Keroro Frog like HAL treats Kirby the fanbase would be in a perpetual state of "eating, relaxing, chilling, and peace" instead of toxic and complain fanbase.
    • OTL's Keroro 2014 Flash anime wouldn't exist instead the show is still running on Cartoon Network, Kids' WB, and Boomerang.
    • The series is aimed at everyone and not just for kids.
    • Get rid of the content that insults, disrespect, evil, rude, uncreative, boring, unlikable, or mocks the every Warner Bros. and Nintendo franchises. Have the show respect the source material and every Warner Bros. and Nintendo franchises, focusing on creating a positive, heart, passion, good, fun, passion, creative, and respectful viewing experience.
      • Unlike the OTL's Teen Titans GO!, OTL's bad shows, and many OTL's bad reboots.
    • Get rid of the offensive stereotypes and derogatory depictions of other cultures. Instead, have the show focus on celebrating diversity, promoting inclusivity, and respecting different traditions, holidays, or every Warner Bros. and Nintendo franchises, and beliefs while feels like a mix of Warner Bros. & Nintendo.
      • Unlike the OTL's Teen Titans GO!, OTL's bad shows, and many OTL's bad reboots.
    • Make the show's stories' are so wacky, cartoony, charm, funny, and zany, they circle back into being fresh, hype, ambitious, awesome, and cool same level as Mario & Luigi RPG games and Kirby series due to balance tone in general instead of demand that you treat it as cool & ambitious, that just circles back into being kinda ridiculous and not in B-Movie way.
      • Added of originality, innovation, unpredictable, freedom, smooth, climatic, tradition, fun, interesting, charm, experimental, and creativity while feels like a mix of Warner Bros. & Nintendo instead of messing up, repetitive, boring, uninteresting, inconsistent, uncharm, confusing, rushed, anti-climatic, restrictions, predictable, safe, and bland.
    • The level concept story pacing of Kirby, Regular Show, and Wonder Flower Effects from Mario Wonder in every episode.
      • Added of originality, innovation, unpredictable, smooth, climatic, freedom, tradition, fun, interesting, charm, experimental, and creativity while feels like a mix of Warner Bros. & Nintendo instead of messing up, repetitive, boring, uninteresting, inconsistent, uncharm, confusing, rushed, anti-climatic, restrictions, predictable, safe, and bland.
    • The general slapstick/cartoon logic/cartoon physics on the level Looney Tunes/Merrie Melodies franchise/MGM Cartoons (including its spin-offs Tiny Toon Adventures and Animaniacs) (due to William Hanna and Joseph Barbera worked for Warner Bros. after leaving MGM and retained the rights for Tom and Jerry), The Mask, Ed, Edd, n Eddy, Timber Wolf, Super Mario franchise, Mario & Luigi RPG games, Kirby series, The Amazing World of Gumball, and Gear 5 from One Piece instead of power scaler, flat, plot armor but still struggle in fights, limits, nerfed, realistic violence, gore, & blood.
      • The series' cartoon violence wasn't toned down.
      • Lack of restrictions, repetitive, boring, uncharm, limited, inconsistent, rehashed nostalgia pandering, predictable, uninteresting, safe, and bland instead keep the more freedom, original, fun, charm, unpredictable, innovation, interesting, consistent, experimental, and creative while feels like a mix of Warner Bros. & Nintendo.
      • Make sure the show's cartoon violence has evolved and improved over the years with more personalities, maintaining strong cartoon violence in general without losing momentum.
    • The general wild takes same level as Looney Tunes/Merrie Melodies franchise/MGM Cartoons/DePatie-Freleng (including its spin-offs Tiny Toon Adventures and Animaniacs) (due to William Hanna and Joseph Barbera worked for Warner Bros. after leaving MGM and retained the rights for Tom and Jerry), A Pup Named Scooby-Doo, Ed, Edd, n Eddy, and Courage the Cowardly Dog while still Japanese anime funny expressions.
      • Lack of restrictions, repetitive, boring, uncharm, limited, inconsistent, rehashed nostalgia pandering, predictable, uninteresting, safe, and bland instead keep the more freedom, innovation, original, fun, charm, unpredictable, interesting, consistent, experimental, and creative while feels like a mix of Warner Bros. & Nintendo.
      • Make the expressions, body movements, & posing are full of freedom, original, fun, charm, consistent, unpredictable, interesting, experimental, and creative while feels like a mix of Warner Bros. & Nintendo instead of limited/restrictions, repetitive, boring, uncharm, inconsistent, predictable, uninteresting, safe, and bland.
    • Make the fight choreography are more original, charm, refresh, consistent, experimental, interesting, unpredictable, creativity, and fun with cartoon physics while feels like a mix of Warner Bros. & Nintendo rather than repetitive, uncharm, bland, safe, uninteresting, predictable, inconsistent, rehashed, and boring ones with anime and superhero physics.
    • Make sure the gags and jokes are still interesting, hilarious, funny and entertaining.
      • Lack of restrictions, repetitive, boring, uncharm, limited, inconsistent, rehashed nostalgia pandering, predictable, uninteresting, safe, and bland instead keep the more freedom, innovation, original, fun, charm, unpredictable, interesting, consistent, experimental, and creative while feels like a mix of Warner Bros. & Nintendo.
    • Don't make the franchise's JP vs Western debates, story, characters, and designs instead keep the only one original faithful accurate due to origin by Japanese and United States.
    • Make the show established it as tradition, fresh, fun, creativity, creative freedom, interesting, experimental, unpredictable, charm, unique, and the series would put a spin on it often while feels like a mix of Warner Bros. & Nintendo rather than only started when it became nostalgic pandering, restrictions, charmless, predictable, uninteresting, repetitive, boring, stale, safe, and rehashed.
    • The level sense of humor of Looney Tunes/Merrie Melodies franchise/MGM Cartoons/DePatie-Freleng (including its spin-offs Tiny Toon Adventures and Animaniacs), various Hanna-Barbera animated series (minus OTL's bad reboot shows), Steven Spielberg/Tom Ruegger Warner Bros. animated series from the '90s, Cartoon Network from the '90s-early 2000's (minus OTL's bad reboot shows), Mario & Luigi series, Paper Mario series, Sonic the Hedgehog franchise (unlike the OTL's Pontac and Graff's era), Sonic Boom, Banjo-Kazooie series (since Nintendo bought Rareware in 2000), SpongeBob SquarePants (seasons 1-3/pre movie instead of OTL's post movie), One Piece (Pre-Timeskip), Kid Icarus series (same level as Uprising's humor), and The Lego Movie series while keep creative and clever and feels like a mix of Warner Bros. & Nintendo instead of unnecessary unfunny, pointless, gross out humor, toilet humor, cringe, crude, uncharm, bland for shock value, and etc.
      • Make sure the show's humor has evolved and improved over the years with more personalities, maintaining strong humor in general without losing momentum.
        • The meta humor like Looney Tunes/Merrie Melodies franchise/MGM Cartoons/DePatie-Freleng (including its spin-offs Tiny Toon Adventures and Animaniacs) (due to William Hanna and Joseph Barbera worked for Warner Bros. after leaving MGM and retained the rights for Tom and Jerry), Steven Spielberg/Tom Ruegger Warner Bros. animated series from the '90s, Ed, Edd, n Eddy, Paper Mario series, Sonic Boom (TV series and comics), Kid Icarus series (same level as Uprising's meta humor), Earthbound, The Grim Adventures of Billy and Mandy, Bobobo-bo Bo-bobo, Chowder, and The Amazing World of Gumball (rather than making meta element-filled myth arcs) while keep the more creative, medium, fun, and feels like a mix of Warner Bros. & Nintendo instead of make meta humor were being used to barely cover lazy, insecure writing.
          • Make sure the show's meta humor has evolved and improved over the years with more personalities, maintaining strong meta humor in general without losing momentum.
    • Make the show actual faithful to the source material, the show is dedicated to the classic cartoons of the Golden Age of American Animation, Japanese shonen action-packed, and Nintendo and Sega roots instead of made to attract a new audience and cash grab.
      • Warner Bros., Nintendo, and Amblimation opted to make the series 100% faithful to Warner Bros. & Nintendo's properties by bringing many Warner Bros. & Nintendo staffs to work with the animators had received from fans.
      • The show is made mainly for TTL's Keroro, TimeWarner, Nintendo, Sega, and Rareware fans instead of made to attract a new audience and cash grab.
      • Keep more creativity, experimental, innovation, weird, freedom, interesting, consistent, fresh, unpredictable, charm, fun, and original while feels like a mix of Warner Bros. & Nintendo due to lacked of repetitive, safe, rehashed nostalgia pandering, boring, uninteresting, inconsistent, restrictions/mandates, predictable, uncharm, basic, and bland ones.
    • Not about the series itself, but about the creators and many staffs: make them being likable, heart of gold, creativity, soul, mature, childlike, charm, selfless, smart, fun, passion, care, love, and respect instead of so rude, greedy, lazy, soulless/heartless, corporate, controversial, uncreative, uncharm, boring, stupid, evil, childish, disrespect, selfish, and money.
      • Unlike the OTL's Teen Titans GO!, many OTL's bad shows, and OTL's bad reboot shows.
      • Let the every staffs have 100% freedom instead of mandates.
    • Warner Bros and Nintendo worked on it, like how Nintendo was HEAVILY involved with the Mario Movie.
    • Don't make the show a shameless promotion for Amblimation, TimeWarner, and Nintendo.
      • Improve the marketing instead of little to no.
      • Have merch not be Japan exclusives instead worldwide.
    • More character development/in-of-character and consistent while feels like a mix of Warner Bros. & Nintendo, keep 100% faithful the video games personalities, and over the years in every episode due to the characters remains unflanderized instead of just one-note character, corny, out-of-character/flanderized, inconsistent, and worse.
      • Every characterizations are more faithful game-accurate in every episode instead of different interpretations and flanderized them.
      • Give more time to develop the characters and not rush out the entire TV series.
    • Much better direction, morals, writing, and voice acting instead of became worse and worse.
      • Use human to write the show instead of use A.I to write.
      • Better written and morals more like humans, creative, fresh, fun, unpredictable, consistent, charm, interesting, and unique in general rather than A.I., mediocre, mean-spirited, bad terrible, uncharm, boring, predictable, inconsistent, uninteresting, rehashed, and bland.
        • Have the morals and life lessons presented in the show be clear, positive, heart, respect, passion, and appropriate for the target audience while feels like a mix of Warner Bros. & Nintendo. Avoid messages that are ridiculous, dangerous, heartless, disrespect, or offensive.
        • Have the show teach positive, heart, respect, and valuable morals as a whole while feels like a mix of Warner Bros. & Nintendo. Avoid situations where characters win by using dishonest, heartless, disrespect, misunderstanding, or harmful tactics, and instead focus on resolving conflicts through communication, honest, empathy, respect, and understanding while feels like a mix of Warner Bros. & Nintendo.
      • Make sure the show's writing, direction, morals, writing, and voice acting has evolved and improved over the years with more personalities, maintaining strong writing, direction, morals, writing, art-style, and voice acting in general without losing momentum.
      • Improve the voice acting instead of sound mediocre, AI, cringe, robots, charmless, and bland.
    • Improve the sound designs same level as Nintendo, Sega, Rareware, Treg Brown/MGM Cartoons/Hanna-Barbera (since William Hanna and Joseph Barbera worked for Warner Bros. after leaving MGM and retained the rights for Tom and Jerry), Joel Valentine, Jeff Hutchins/Tom Syslo, Robert Poole II, Hidenori Arai (still, expect with more variety), and Ed, Edd, n Eddy rather than outdated, inconsistent, uncharm, and worse.
      • Make sure the show's sound designs has evolved and improved over the years with more personalities, maintaining strong sound designs in general without losing momentum.
    • No more pacing and execution issues.
    • Keroro Frog characters would also appear in Cartoon All-Stars to the Rescue 2000 (2000), We Are Family: A Musical Message for All (2002), Cartoon All-Stars to the Rescue 2010 (2010), and Cartoon All-Stars to the Rescue 2020 (2020).
    • Improve the character designs, but the characters looked more like their design from the games while feels like a mix of Warner Bros. & Nintendo instead of getting repetitive, ugly, downgrade, corporate, sterile, flat, charmless, hyper realistic, bad redesigns, uncanny, inconsistent, gone stale, unfaithful, Calarts, and bland.
      • Make sure the show's character designs has evolved and improved over the years with more personalities, maintaining strong character designs in general without losing momentum.
      • Keep the series' character designs started to get slowly progressively better and better as the series continues while feels like a mix of Warner Bros. & Nintendo instead of worse and worse as the series continues or they appear in a new iteration.
    • No strict deadline.
      • For example, Super Mario Bros. Wonder was in the prototyping stage of the game, it had no due date. “I wanted to prevent people from saying, 'We won't make that deadline, so that's why we didn't do it—we can't do it,'” producer Takashi Tezuka says. For the game's director, Shiro Mouri, it was a very clear, and very positive, sign.
    • Improve the quality in general due to lacked of strict deadline and executive meddling rather than switched what it found funny on a dime with very little consistency, strict deadlines, decline of quality, executive meddling, and turned it into a sterile Adelaide Productions clone.
      • Make sure the show's quality has evolved and improved over the years with more personalities, maintaining strong quality in general without losing momentum.
      • For example, Ed, Edd n Eddy did every gradually season per season constantly upping the stakes and wackiness of the adventures they went on. Warner Bros. Animation didn't skimp out on quality like 90s.
    • Make the animation look more expressive, full of life, upgrade, and fun rather than stiff, downgrade, lifeless, and boring.
      • For example, Ed, Edd, n Eddy is more expressive and incredibly consistent and Ed, Edd, n Eddy's animation was more focused on developing acting through full body movement & posing. Designs that allow for characters to be super expressive while not drifting too too far from model.
      • Give the animators are full of freedom, consistent, charm, and fun in general instead of limited, inconsistent, boring, uncharm, and restriction.
    • Make the expressions, body movements, & posing are full of freedom, original, fun, charm, unpredictable, consistent, interesting, experimental, and creative while feels like a mix of Warner Bros. & Nintendo instead of limited/restrictions, repetitive, boring, uncharm, inconsistent, predictable, uninteresting, safe, and bland.
    • The gross-out, annoying moments, low-brow humor, toilet humor, fart jokes, swear words, cringeworthy moments, sterile moments, racial stereotypes, seasonal rot, rip-off stuffs, relationship drama, plot holes, rehashed nostalgia pandering, safe ideas, repetitive stuff, bland stuff, controversial scenes, mean-spirited humor, common fetishes, product placement (except for when it's for the good of Warner Bros. & Nintendo) and cliché plots would be all removed.
    • The episodes' plot, specials, locations, wraparound segments, characters, eyecatches, running gags, title cards, and transitions are fully original, charm, experimental, freedom, consistent, fun, fresh, interesting, unpredictable, and creative while feels like a mix of Warner Bros. & Nintendo instead of reused, safe, retconned, uncharm, inconsistent, cliché, boring, rehashed, restrictions, predictable, confusing, uninteresting, and bland.
      • Make sure the show's plot, specials, locations, wraparound segments, characters, eyecatches, running gags, title cards, and transitions has evolved and improved over the years with more personalities, maintaining strong plot, specials, locations, wraparound segments, eyecatches, running gags, title cards, and transitions in general without losing momentum.
      • Make the running gags are more original, charm, experimental, creative freedom, fun, interesting, fresh, consistent, charm, unpredictable, and creative while feels like a mix of Warner Bros. & Nintendo instead of reused, safe, charmless, retconned, cliché, feeling forced, cringe, inconsistent, restrictions, confusing, predictable, boring, rehashed, uninteresting, and bland.
      • Keep more creativity, experimental, innovation, weird, freedom, consistent, interesting, fresh, unpredictable, charm, fun, and original while feels like a mix of Warner Bros. & Nintendo due to lacked of repetitive, safe, rehashed nostalgia pandering, inconsistent, boring, uninteresting, restrictions/mandates, predictable, uncharm, basic, and bland ones.
    • Most episodes are rated TV-Y7-FV (1998-present) with some being rated TV-PG & TV-PG-V (2008-present) due to the show would be family-friendly audiences instead of TV-Y, TV-14, and TV-MA.
    • Keep it full of charm, fun, creativity, heart of gold, timeless, and innovation while feels like a mix of Warner Bros. & Nintendo rather than lost and becomes fully serious/drama, boring, uncharm, trauma, heartless, uncreativity, grounded, real, depression, and battles.
    • Better dialogue instead of make anyone over the age of 10 cringe, mess-ups, feeling forced, and AI generator.
    • The character focus would be balanced and not constantly lost.
    • All of the flanderization/character assassination to the series' every characters wouldn't happen.
    • Don't make the worst/mediocre and negative episodes instead make the improve and better episodes due to lacked of strict deadline.
    • Improve the art style:
      • The level of different animation styles, creativity, consistent, charm, unique, medium blending, and mixed media like Super Smash Bros. series, Cartoon Network City, Courage the Cowardly Dog, Chowder, The Misadventures of Flapjack, Adventure Time, and The Amazing World of Gumball did while stays true to the original source material of the characters and their every TimeWarner and Nintendo series rather than just force one art style on every character and made to attract a new audience, inconsistent, charmless, and cash grab.
        • For example, bizarre and even comical combinations of unrelated elements are part of the premise for both, but they still had to add some level of visual coherency for the various media to work at all such as CN City, Gumball, Super Smash Bros. and Kingdom Hearts. Super Smash Bros’ art direction is how the team stays true to the original source material of the characters and their games. It’s especially noticeable in the eye styles and how they all differentiate from each other.
        • Make sure the show's different animation styles, unique, creativity, and mixed media has evolved and improved over the years with more personalities, maintaining strong different animation styles, creativity, and mixed media in general without losing momentum.
      • Make the art direction is more creative, consistent, charm, original, fresh, colorful, interesting, fun, memorable, flexible, and stylized while feels like a mix of Warner Bros. & Nintendo instead of realistic, boring, uncolorful, corporate, uninteresting, inconsistent, bare minimum, rehashed, made to attract a new audience, cash grab, repetitive, charmless, forgotten, bland, and Calarts.
      • In this timeline, Amblin Entertainment, TimeWarner, and Nintendo would treated TTL's Keroro series like how Mario treats his different art styles: just a style, not a new continuity.
      • Make sure the show's art style has evolved and improved over the years with more personalities, maintaining strong art style in general without losing momentum.
      • Still of identity instead of loss.
    • Make the more unhinged screams like Looney Tunes and Courage The Cowardly Dog with echoing effects, but not too annoying.
    • Make the characters have more unique, creativity, charm, smart, selfless, fun, consistent, fleshed out, mature, and likable personalities while feels like a mix of Warner Bros. & Nintendo and keep 100% faithful the video games personalities due to the characters remains unflanderized instead of reused, one-note character, boring, uncharm, inconsistent, immature, stupid, selfish, and mean-spirited/unlikable.
      • Keep the characters started to get slowly progressively passive, smart, consistent, fleshed out, selfless, charm, and likable while feels like a mix of Warner Bros. & Nintendo and keep 100% faithful the video games characters due to the characters remains unflanderized instead of annoying, one-note character, boring, inconsistent, stupid, uncharm, selfish, and unlikable.
      • Make sure the show's characters has evolved and improved over the years with more personalities, maintaining strong characters in general without losing momentum.
    • Similarly to the Looney Tunes/Merrie Melodies franchise (including its spin-offs Tiny Toon Adventures and Animaniacs) pop culture is commonly mocked by the show.
      • Make the parodies are more interesting, creative, original, fresh, fun, freedom, experimental, unpredictable, charm, and satirical while feels like a mix of Warner Bros. & Nintendo rather than repetitive, predictable, safe, charmless, cringe, uninteresting, rehashed, restrictions, boring, and bland ones.
      • In the case of properties owned by TimeWarner and Nintendo can be used for product placement.
    • Make the more balance original, Warner Bros., and Nintendo rather than worse and removed.
      • More Warner Bros. and Nintendo characters, references, and easter eggs rather than removed.
      • Unlike the IOTL, make the fan service like Kirby and Mario Movie instead of just sexual things, first game, and settling with the bare minimum.
        • For example, all the references to the every games in Kirby is fan service as well, Mario Movie is packed with Easter eggs and references to Nintendo franchises and characters, including Punch-Out, Duck Hunt, Kid Icarus, Pikmin, Donkey Kong, Game & Watch, Super Mario World, and etc., and throughout the film, there are nods to beloved Mario games, such as Super Mario Galaxy, Yoshi's Island: A Super Mario Story, Super Mario 64, Luigi's Mansion, and Mario Kart.
      • Give the various original, TimeWarner, & Nintendo locations a fully creative, original, fresh, freedom, interesting, fun, unpredictable, and experimental with full of charm while feels like a mix of Warner Bros. & Nintendo instead of generic, bland, safe, uncharm, rehashed, boring, restrictions, uninteresting, and predictable.
      • Keep more creativity, experimental, innovation, weird, freedom, interesting, consistent, fresh, unpredictable, charm, fun, and original while feels like a mix of Warner Bros. & Nintendo due to lacked of repetitive, safe, rehashed nostalgia pandering, boring, uninteresting, inconsistent, restrictions/mandates, predictable, uncharm, basic, and bland ones.
    • Music/OSTs/Soundtracks:
      • Make the soundtrack is more original, experimental, refresh, fun, freedom, unpredictable, interesting, consistent, charm, and creative while feels like a mix of Warner Bros. & Nintendo instead of generic, boring, rehashed, predictable, uncharm, uninteresting, limited/restrictions, inconsistent, weak, safe, and bland.
      • All composers are Warner Bros and Nintendo, having worked at various companies from Japan, United States, British, and Canada.
      • Make the main theme song and ending theme song are more catchy, unique, charm, consistent, unpredictable, interesting, and creativity while feels like a mix of Warner Bros. & Nintendo rather than annoying, any rip-off, weak, predictable, uninteresting, repetitive, inconsistent, uncharm, and bland ones.
      • It was strongly influenced by Carl Stalling, Scott Bradley, Milt Franklyn, Hoyt Curtin, Ted Nicholas, Richard Stone, Akifumi Tada, Hirokazu Tanaka, various Nintendo & Sega composers, and Shinji Miyazaki work on the Looney Tunes/Merrie Melodies series, various Nintendo & Sega games, and Pokémon anime due to feels like a mix of Warner Bros. & Nintendo.
      • Make the various original games, Warner Bros., and Nintendo music references similar to The Super Mario Bros. Movie instead of make the licensed musics.
      • More music variety while feels like a mix of Warner Bros. & Nintendo and not just one.
      • Make sure the show's music has evolved and improved over the years with more personalities, maintaining strong music in general without losing momentum.
    • The balance tone same level as Kirby series, Sonic Heroes, Sonic Unleashed, and Kid Icarus Uprising instead of just too goofy and too serious.
      • For example, Sonic Unleashed honestly had the perfect tone. Not too melodramatic not too goofy.
    • The background characters have a more creative, charm, refresh, consistent, fun, unpredictable, interesting, and original designs while feels like a mix of Warner Bros. & Nintendo keep 100% faithful the video games designs rather than bland, rehashed, inconsistent, charmless, boring, uninteresting, predictable, and generic.
      • Make the background characters have more unique/originality, creativity, charm, fun, smart, selfless, fleshed out, mature, and likable personalities while feels like a mix of Warner Bros. & Nintendo and keep 100% faithful the video games personalities due to the characters remains unflanderized instead of reused, one-note character, boring, immature, uncharm, stupid, selfish, and mean-spirited/unlikable.
        • Keep the characters started to get slowly progressively passive, fun, consistent, smart, charm, selfless, and likable while feels like a mix of Warner Bros. & Nintendo keep 100% faithful the video games characters due to the characters remains unflanderized instead of annoying, stupid, bland, boring, inconsistent, uncharm, selfish, and mean-spirited/unlikable.
      • Keep more creativity, experimental, innovation, weird, freedom, interesting, consistent, fresh, unpredictable, charm, fun, and original while feels like a mix of Warner Bros. & Nintendo due to lacked of repetitive, safe, rehashed nostalgia pandering, boring, uninteresting, inconsistent, restrictions/mandates, predictable, uncharm, basic, and bland ones.
    • Make the show more creative freedom and not bogged down by executive meddling, mandates, and restriction.
      • Giving the staffs more freedom for the project and being not protective of the series.
      • Warner Bros., Nintendo, and Amblimation never made the infamous mandates due to 100% creative freedom instead of restrictions/mandates.
      • For example, Cartoon Network gave Danny Antonucci and John R. Dilworth full creative control of Ed, Edd, n Eddy and Courage the Cowardly Dog and they didn't want executive meddling.
    • Have better written Time Warner and Nintendo worlds as part of the main plot and not bound and gagged.
      • Lack of restrictions, repetitive, boring, charmless, retconned, feeling forced, inconsistent, cringe, cliché, confusing, predictable, uninteresting, safe, and bland instead keep the more freedom, original, fun, charm, unpredictable, interesting, consistent, experimental, and creative while feels like a mix of Warner Bros. & Nintendo.
    • Don't reinvent classic video game characters.
    • After the show's success, Amblin, Nintendo, TimeWarner, Cartoon Network, Kids' WB, and Boomerang would keep focus on spin-off for animated shows based on the best shows (without bad stuff, OTL's bad reboots, uncharm, boring, disrespect, and repeat over again) and more original, experimental, weird, charm, 100% creative freedom, refresh, and creativity ideas, fun, expressive, interesting, unpredictable, tradition, consistent, growth, overpaid, listening to fans, heart, love, care, soul, and humans instead of making OTL's bad reboots of cancellation shows, OTL's Cartoon Network's bad live action shows and remakes, OTL's CN Real, bad or mediocre, nostalgic cash grabs, flanderization/character assassination, uncharm, lazy, uninteresting, predictable, boring, AI, NFTs, restrictions/mandates, stiff, seasonal rot, making projects tax write-offs, layoffs, rehashed nostalgia pandering, inconsistent, overworked, underpaid, safe, anti-consumer, brand, boring, repetitive, and bland.
    • There would be an episode where Keroro teams up with characters from the Looney Tunes/Merrie Melodies franchise/MGM Cartoons/DePatie-Freleng (including it's spin-offs Tiny Toon Adventures and Animaniacs), The Moxy Show, Dexter's Laboratory, Johnny Bravo, Cow and Chicken, I Am Weasel, The Powerpuff Girls, Ed, Edd n Eddy, Mike, Lu and Og, Courage the Cowardly Dog, Sheep in the Big City, Time Squad, Samurai Jack, Aqua Teen Hunger Force, Stroker and Hoop, The Grim Adventures of Billy and Mandy, Evil Con Carne, Whatever Happened to...Robot Jones?, Codename: Kids Next Door, Megas XLR, Squidbillies, Foster's Home for Imaginary Friends, Hi Hi Puffy AmiYumi, The Life and the Times of Juniper Lee, Camp Lazlo, My Gym Partner's A Monkey, Ben 10 (2005), Squirrel Boy, Class of 3000, Chowder, The Marvelous Misadventures of Flapjack, The Secret Saturdays, Titan Maximum, Robotboy, The Cramp Twins, Fat Dog Mendoza, VBirds, Chop Socky Chooks, Hero: 108, Eagleheart, Total Drama, Adventure Time, Generator Rex, Regular Show, FireBreather, Sons of Ram, Sym-Bionic Titan, Superjail, The Drinky Crow Show, Fat Guy Stuck in the Internet, Robotomy, The Amazing World of Gumball, Steven Universe, Uncle Grandpa, Rick and Morty, The Jellies, Clarence, Over the Garden Wall, Exchange Student Zero, We Bare Bears, Mighty Magiswords, O.K. K.O. Let's Be Heroes, Super Mole Escape, Summer Camp Island, etc. as well as TOM 2 from Toonami and Erin from Miguzi to stop Viper and his many Cartoon Network villains from trying to demolish Cartoon Network City to build his own hotel and amusement park.
    • The series did not decline.
    • Improve the logo rather than repetitive, basic, uncharm, inconsistent, boring, and bland.
    • Make the confessional is similar to Total Drama franchise.
      • Lack of restrictions, repetitive, boring, uncharm, rehashed, predictable, inconsistent, uninteresting, safe, and bland instead keep the more freedom, original, fun, charm, unpredictable, interesting, innovate, fresh, consistent, experimental, and creative while feels like a mix of Warner Bros. & Nintendo.
    • Keroro Frog segments being similar plot to Bugs Bunny from Looney Tunes/Merrie Melodies franchise since he's still as a main protagonist instead of Invader Zim.
      • Keep more creativity, experimental, innovation, weird, freedom, interesting, consistent, fresh, unpredictable, charm, fun, and original while feels like a mix of Warner Bros. & Nintendo due to lacked of repetitive, safe, rehashed nostalgia pandering, boring, uninteresting, inconsistent, restrictions/mandates, predictable, uncharm, basic, and bland ones.
    • General Viper Snake segments being similar plot to Pinky and the Brain from Looney Tunes/Merrie Melodies franchise, Animaniacs, and Pinky and the Brain (TV series) since he's as a main antagonist.
      • Keep more creativity, experimental, innovation, weird, freedom, interesting, consistent, fresh, unpredictable, charm, fun, and original while feels like a mix of Warner Bros. & Nintendo due to lacked of repetitive, safe, rehashed nostalgia pandering, boring, uninteresting, inconsistent, restrictions/mandates, predictable, uncharm, basic, and bland ones.
    • Better ending in every episodes due to better written and avoid meh to worse written in general instead of bad, abysmal, bittersweet, meh, unsatisfying, mean-spirited, and disturbing ending with meh to worse written.
      • Added of originality, innovation, tradition, unpredictable, smooth, climatic, freedom, fun, interesting, charm, climatic, experimental, and creativity while feels like a mix of Warner Bros. & Nintendo instead of anti climatic, messing up, repetitive, boring, uninteresting, charmless, rushed, anti-climatic, retconned, cliché, confusing, restrictions, predictable, safe, and bland.
    • Intro and Ending:
      • The opening sequence featuring Warner Bros. Family Entertainment & Nintendo Pictures logo use a re-orchestration of Max Steiner's fanfare for the 1937 Warner Bros. Pictures logo similar to Looney Tunes 90s shorts.
      • The opening sequences starts with the traditional "Warner Bros. Television Animation & Nintendo Pictures" rings, followed by a sequence inspired by Looney Tunes/Merrie Melodies franchise and the ending sequences featuring a recreation of the handwritten "That's all, folks!" closing sequence at the tune of Merry-Go-Round Broke Down (odd) & Merrily We Roll Along (even) from Looney Tunes/Merrie Melodies franchise with the traditional Steven Spielberg Presents: The Adventures of Keroro Frog and "A Warner Bros. & Nintendo Cartoon".
      • Added of various Warner Bros. & Nintendo fonts with full of charm due to lacked of repetitive, uninteresting, inconsistent, predictable, uncharm, basic, rehashed, mandates, boring, rehashed, safe, and bland.
      • Make the intro and ending are more originality, refresh, fun, freedom, consistent, interesting, unpredictable, experimental, and creativity with full of charm while feels like a mix of Warner Bros. & Nintendo rather than repetitive, uninteresting, inconsistent, boring, predictable, restrictions, ADV Films version, basic, rehashed, safe, and bland.
        • Keroro Frog riding on Warner Bros. and Nintendo logos just like Bugs Bunny rides the shield, then It says Steven Spielberg Presents: The Adventures of Keroro Frog and "A Warner Bros. & Nintendo Cartoon" similar to Looney Tunes/Merrie Melodies franchise.
          • Animated by TMS Entertainment.
          • Make the Keroro Frog (character) riding on "Keroro Frog in" due to he's still main protagonist in the franchise similar to "Bugs Bunny in" from Looney Tunes/Merrie Melodies franchise.
            • Animated by TMS Entertainment.
            • Added of various Warner Bros. & Nintendo fonts with full of charm due to lacked of repetitive, uninteresting, inconsistent, basic, mandates, predictable, uncharm, rehashed, boring, rehashed, safe, and bland.
            • Make the more originality, refresh, tradition, freedom, interesting, unpredictable, consistent, fun, experimental, and creativity with full of charm while feels like a mix of Warner Bros. & Nintendo rather than repetitive, uninteresting, predictable, uncharm, inconsistent, basic, restrictions, rehashed, boring, rehashed, safe, and bland.
        • The many characters' headshots’ after the WB Shield & Nintendo disappears just like Looney Tunes characters’ headshots. then It says Steven Spielberg Presents: The Adventures of Keroro Frog and "A Warner Bros. & Nintendo Cartoon".
          • Keep more creativity, experimental, innovation, weird, freedom, interesting, consistent, fresh, unpredictable, charm, fun, and original while feels like a mix of Warner Bros. & Nintendo due to lacked of repetitive, safe, rehashed nostalgia pandering, boring, uninteresting, inconsistent, restrictions/mandates, predictable, uncharm, basic, and bland ones.
        • Keroro & Fuyuki title card similar to Chuck Jones' Tom & Jerry cartoons from Looney Tunes/Merrie Melodies franchise.
          • Make the more originality, refresh, tradition, freedom, interesting, unpredictable, consistent, fun, experimental, and creativity with full of charm while feels like a mix of Warner Bros. & Nintendo rather than repetitive, uninteresting, predictable, uncharm, inconsistent, basic, restrictions, rehashed, boring, rehashed, safe, and bland.
          • Animated by TMS Entertainment.
          • Added of various Warner Bros. & Nintendo fonts with full of charm due to lacked of repetitive, uninteresting, basic, mandates, predictable, uncharm, rehashed, boring, rehashed, safe, and bland.
      • Every episode ends with a Warner Bros. Television Animation and Nintendo Pictures variant logo with every original, Warner Bros, and Nintendo characters saying That's all, folks! in the Looney Tunes rings, accompanied by the closing version of Merry-Go-Round Broke Down (odd) & Merrily We Roll Along (even).
        • Make the more originality, refresh, tradition, freedom, interesting, unpredictable, consistent, fun, experimental, and creativity with full of charm while feels like a mix of Warner Bros. & Nintendo rather than repetitive, uninteresting, predictable, uncharm, inconsistent, basic, restrictions, rehashed, boring, rehashed, safe, and bland.
      • Make the The Adventures of Keroro Frog "That's all Folks!" "A Warner Bros. & Nintendo Cartoon", closing title gags are more original, charm, experimental, consistent, fun, interesting, unpredictable, and creative while feels like a mix of Warner Bros. & Nintendo instead of reused, safe, uncharm, predictable, boring, inconsistent, uninteresting, and bland.
      • OPs and EDs are still in Japanese version.
        • In Japanese version, make the intros and endings are more originality, refresh, freedom, fun, consistent, interesting, unpredictable, experimental, and creativity with full of charm while feels like a mix of Warner Bros. & Nintendo rather than repetitive, uninteresting, inconsistent, restrictions, boring, predictable, basic, rehashed, safe, and bland.
    • Skit episodes/Cartoons:
      • The skit episodes and the cartoons in them was inspired by OTL's Gerogero 15-30 Minutes and 13-15 Stories like IOTL, Acme Cable TV, Tiny Toon Music Television, K-Acme TV from Tiny Toon Adventures, Five Short Graybles, Five More Short Graybles, and Another Five More Short Graybles from Adventure Time, New Teen Titans shorts from 2003 Teen Titans, Skit episodes from The Amazing World of Gumball, Sonic web short films from the Sonic the Hedgehog series, Sonic and Chip Special Shorts from Sonic Unleashed, Pikachu shorts from the Pokémon anime's movies, Pokémon miniseries, Straw Hat Theater from One Piece and the shorts from Poochy and Yoshi's Wooly World.
      • Make the more balance original, Warner Bros., and Nintendo rather than worse and removed.
        • More Warner Bros. and Nintendo characters, references, and easter eggs rather than removed.
        • Unlike the IOTL, make the fan service like Kirby and Mario Movie instead of just sexual things, first game, and settling with the bare minimum.
        • Give the various original, TimeWarner, & Nintendo locations a fully creative, original, freedom, fresh, interesting, fun, unpredictable, and experimental with full of charm while feels like a mix of Warner Bros. & Nintendo instead of generic, bland, safe, uncharm, rehashed, boring, restrictions, uninteresting, and predictable.
        • Keep more creativity, experimental, weird, interesting, consistent, tradition, freedom, innovation, fresh, unpredictable, charm, and original while feels like a mix of Warner Bros. & Nintendo rather than repetitive, safe, rehashed nostalgia pandering, inconsistent, basic, mandates/restrictions, uninteresting, predictable, uncharm, basic, and bland ones.
      • Make the characters have more unique, creativity, charm, smart, selfless, consistent, fleshed out, mature, and likable personalities while feels like a mix of Warner Bros. & Nintendo and keep 100% faithful the video games personalities due to the characters remains unflanderized instead of reused, one-note character, uncharm, inconsistent, immature, stupid, selfish, and mean-spirited/unlikable.
        • Keep the characters started to get slowly progressively passive, smart, fleshed out, consistent, charm, selfless, and likable while feels like a mix of Warner Bros. & Nintendo keep 100% faithful the video games characters due to the characters remains unflanderized instead of annoying, one-note character, inconsistent, uncharm, stupid, selfish, and unlikable.
      • Make the plot, locations, running gags, title cards, eyecatches, characters, and transitions are fully original, charm, consistent, experimental, freedom, fun, fresh, interesting, unpredictable, and creative while feels like a mix of Warner Bros. & Nintendo instead of reused, safe, retconned, uncharm, boring, cliché, rehashed, restrictions, predictable, weak, inconsistent, confusing, uninteresting, and bland.
        • Make the running gags are more original, charm, experimental, creative freedom, fun, interesting, fresh, consistent, charm, unpredictable, and creative while feels like a mix of Warner Bros. & Nintendo instead of reused, safe, charmless, retconned, cliché, feeling forced, cringe, inconsistent, restrictions, confusing, predictable, boring, rehashed, uninteresting, and bland.
      • Make a confessional similar to Total Drama franchise.
        • Lack of restrictions, repetitive, boring, uncharm, rehashed, predictable, inconsistent, uninteresting, safe, and bland instead keep the more freedom, original, fun, charm, unpredictable, interesting, innovate, fresh, consistent, experimental, and creative while feels like a mix of Warner Bros. & Nintendo.
      • The gross-out, annoying moments, low-brow humor, toilet humor, fart jokes, swear words, cringeworthy moments, sterile moments, racial stereotypes, seasonal rot, rip-off stuffs, relationship drama, plot holes, rehashed nostalgia pandering, safe ideas, repetitive stuff, bland stuff, controversial scenes, mean-spirited humor, common fetishes, product placement (except for when it's for the good of Warner Bros. & Nintendo) and cliché plots would be all removed.
      • Keep more creativity, experimental, innovation, weird, freedom, interesting, consistent, fresh, unpredictable, charm, fun, and original while feels like a mix of Warner Bros. & Nintendo due to lacked of repetitive, safe, rehashed nostalgia pandering, boring, uninteresting, inconsistent, restrictions/mandates, predictable, uncharm, basic, and bland ones.
      • Keep it full of charm, fun, creativity, heart of gold, timeless, and innovation while feels like a mix of Warner Bros. & Nintendo rather than lost and becomes fully serious/drama, boring, uncharm, trauma, heartless, uncreativity, grounded, real, depression, and battles.
      • Improve the writing, humor, morals, and direction instead of became worse and worse.
        • Use human to write the show instead of use A.I to write.
        • Better written and morals more like humans, creative, fresh, fun, consistent, likable, unpredictable, charm, interesting, and unique rather than A.I., mediocre, mean-spirited, bad terrible, uncharm, boring, predictable, uninteresting, inconsistent, rehashed, and bland.
          • Have the morals and life lessons presented in the show be clear, positive, heart, respect, passion, and appropriate for the target audience while feels like a mix of Warner Bros. & Nintendo. Avoid messages that are ridiculous, dangerous, heartless, disrespect, or offensive.
          • Have the show teach positive, heart, respect, and valuable morals as a whole while feels like a mix of Warner Bros. & Nintendo. Avoid situations where characters win by using dishonest, heartless, disrespect, misunderstanding, or harmful tactics, and instead focus on resolving conflicts through communication, honest, empathy, respect, and understanding while feels like a mix of Warner Bros. & Nintendo.
        • Make sure the show's writing, direction, morals, and writing has evolved and improved over the years with more personalities, maintaining strong writing, direction, morals, writing, and art-style in general without losing momentum.
      • No more pacing and execution issues.
      • Make the animation look more expressive, full of life, upgrade, and fun rather than stiff, lifeless, downgrade, and boring.
        • Give the animators are full of freedom, consistent, charm, and fun instead of limited, inconsistent, boring, uncharm, and restriction.
      • Since the Nintendo GameCube, Nintendo DS, Wii, Nintendo U-Zone (known as Wii U IOTL), Nintendo 3DS, and Nintendo Switch (unlike the OTL's home menu) released, each channel is inspired by each Nintendo consoles' home menu, unlike the OTL's Switch home menu.
        • For example, each Nintendo home menu's were more creative, unique, soul, and charm rather than bland, recycled, charmless, soulless, and basic.
      • Have better written Time Warner and Nintendo worlds as part of the main plot and not bound and gagged.
        • Lack of restrictions, repetitive, boring, charmless, retconned, feeling forced, inconsistent, cringe, cliché, confusing, predictable, uninteresting, safe, and bland instead keep the more freedom, original, fun, charm, unpredictable, interesting, consistent, experimental, and creative while feels like a mix of Warner Bros. & Nintendo.
      • Make the show more creative freedom and not bogged down by executive meddling, mandates, and restriction.
        • Warner Bros., Nintendo, and Amblimation never made the infamous mandates due to 100% creative freedom instead of restrictions/mandates.
      • The level sense of humor of Looney Tunes/Merrie Melodies franchise/MGM Cartoons/DePatie-Freleng (including its spin-offs Tiny Toon Adventures and Animaniacs), various Hanna-Barbera animated series (minus OTL's bad reboot shows), Steven Spielberg/Tom Ruegger Warner Bros. animated series from the '90s, Cartoon Network from the '90s-early 2000's (minus OTL's bad reboot shows), Mario & Luigi series, Paper Mario series, Sonic the Hedgehog franchise (unlike the OTL's Pontac and Graff's era), Sonic Boom, Banjo-Kazooie series (since Nintendo bought Rareware in 2000), SpongeBob SquarePants (seasons 1-3/pre movie instead of OTL's post movie), One Piece (Pre-Timeskip), Kid Icarus series (same level as Uprising's humor), and The Lego Movie series while keep creative and clever and feels like a mix of Warner Bros. & Nintendo instead of unnecessary unfunny, pointless, gross out humor, toilet humor, cringe, crude, uncharm, bland for shock value, and etc.
        • Make sure the show's humor has evolved and improved over the years with more personalities, maintaining strong humor in general without losing momentum.
      • The meta humor like Looney Tunes/Merrie Melodies franchise/MGM Cartoons/DePatie-Freleng (including its spin-offs Tiny Toon Adventures and Animaniacs) (due to William Hanna and Joseph Barbera worked for Warner Bros. after leaving MGM and retained the rights for Tom and Jerry), Steven Spielberg/Tom Ruegger Warner Bros. animated series from the '90s, Ed, Edd, n Eddy, Paper Mario series, Sonic Boom (TV series and comics), Kid Icarus series (same level as Uprising's meta humor), Earthbound, The Grim Adventures of Billy and Mandy, Bobobo-bo Bo-bobo, Chowder, and The Amazing World of Gumball (rather than making meta element-filled myth arcs) while keep the more creative, medium, fun, and feels like a mix of Warner Bros. & Nintendo instead of make meta humor were being used to barely cover lazy, insecure writing.
        • Make sure the show's meta humor has evolved and improved over the years with more personalities, maintaining strong meta humor in general without losing momentum.
    • Toon Marooned:
      • The segment was inspired by Looney Tunes Toon Marooned webtoons, Cartoon Network - Staylongers, Mario Party series (unlike the OTL's NSMB era), Mii Party series (known as Wii Party and Wii Party U IOTL), Play Motion series (known as Wii Play IOTL), Total Drama franchise, Sonic Shuffle. and Nintendo Land.
      • Hosted by Narrator, King Bugs Bunny, Queen Lola Bunny, Melody Honey, Millennium Star, Tumble, Star Spirits, Omochao, Brighton and Twila, Toadsworth, MC Ballyhoo, Party Phil, Party Penny, Monita, Dodon Pa, and Talking Flower.
      • Make the confessional is similar to Total Drama franchise.
        • Lack of restrictions/mandates, repetitive, boring, uncharm, rehashed, predictable, uninteresting, safe, and bland instead keep the more freedom, original, fun, charm, unpredictable, interesting, innovate, fresh, experimental, and creative while feels like a mix of Warner Bros. & Nintendo.
      • Keep more creativity, experimental, innovation, weird, freedom, interesting, consistent, fresh, unpredictable, charm, fun, and original while feels like a mix of Warner Bros. & Nintendo due to lacked of repetitive, safe, rehashed nostalgia pandering, boring, uninteresting, inconsistent, restrictions/mandates, predictable, uncharm, basic, and bland ones.
      • Keep it full of charm, fun, creativity, heart of gold, timeless, and innovation while feels like a mix of Warner Bros. & Nintendo rather than lost and becomes fully serious/drama, boring, uncharm, trauma, heartless, uncreativity, grounded, real, depression, and battles.
      • Make the more balance original, Warner Bros., and Nintendo rather than worse and removed.
        • More Warner Bros. and Nintendo characters, references, and easter eggs rather than removed.
        • Unlike the IOTL, make the fan service like Kirby and Mario Movie instead of just sexual things, first game, and settling with the bare minimum.
        • Give the various original, TimeWarner, & Nintendo locations a fully creative, original, fresh, interesting, freedom, fun, unpredictable, and experimental with full of charm while feels like a mix of Warner Bros. & Nintendo instead of generic, bland, safe, uncharm, restrictions, rehashed, boring, uninteresting, and predictable.
        • Keep more creativity, experimental, innovation, weird, freedom, interesting, consistent, fresh, unpredictable, charm, fun, and original while feels like a mix of Warner Bros. & Nintendo due to lacked of repetitive, safe, rehashed nostalgia pandering, boring, uninteresting, inconsistent, restrictions/mandates, predictable, uncharm, basic, and bland ones.
      • Improve the writing, direction, morals, and humor instead of became worse and worse.
        • Use human to write the show instead of use A.I to write.
        • Better written and morals more like humans, creative, fresh, fun, likable, unpredictable, charm, interesting, and unique rather than A.I., mediocre, mean-spirited, bad terrible, uncharm, boring, predictable, uninteresting, rehashed, and bland.
          • Have the morals and life lessons presented in the show be clear, positive, heart, respect, passion, and appropriate for the target audience while feels like a mix of Warner Bros. & Nintendo. Avoid messages that are ridiculous, dangerous, heartless, disrespect, or offensive.
          • Have the show teach positive, heart, respect, and valuable morals as a whole while feels like a mix of Warner Bros. & Nintendo. Avoid situations where characters win by using dishonest, heartless, disrespect, misunderstanding, or harmful tactics, and instead focus on resolving conflicts through communication, honest, empathy, respect, and understanding while feels like a mix of Warner Bros. & Nintendo.
        • Make sure the show's writing, direction, morals, and writing has evolved and improved over the years with more personalities, maintaining strong writing, direction, morals, writing, and art-style in general without losing momentum.
      • No more pacing and execution issues.
      • Make the animation look more expressive, full of life, upgrade, and fun rather than stiff, lifeless, downgrade, and boring.
        • Give the animators are full of freedom, consistent, charm, and fun instead of limited, inconsistent, boring, uncharm, and restriction.
      • Make the plot, locations, running gags, title cards, eyecatches, characters, and transitions are fully original, charm, experimental, fun, fresh, consistent, freedom, interesting, unpredictable, and creative while feels like a mix of Warner Bros. & Nintendo instead of reused, safe, retconned, uncharm, boring, cliché, rehashed, restrictions, predictable, weak, inconsistent, confusing, uninteresting, and bland.
        • Make the running gags are more original, charm, experimental, creative freedom, fun, interesting, fresh, consistent, charm, unpredictable, and creative while feels like a mix of Warner Bros. & Nintendo instead of reused, safe, charmless, retconned, cliché, feeling forced, cringe, inconsistent, restrictions, confusing, predictable, boring, rehashed, uninteresting, and bland.
      • Make the characters have more unique, creativity, charm, smart, selfless, consistent, fleshed out, mature, and likable personalities while feels like a mix of Warner Bros. & Nintendo and keep 100% faithful the video games personalities due to the characters remains unflanderized instead of reused, one-note character, uncharm, inconsistent, immature, stupid, selfish, and mean-spirited/unlikable.
        • Keep the characters started to get slowly progressively passive, smart, charm, consistent, fleshed out, selfless, and likable while feels like a mix of Warner Bros. & Nintendo and keep 100% faithful the video games characters due to the characters remains unflanderized instead of annoying, one-note character, inconsistent, stupid, uncharm, selfish, and unlikable.
      • The gross-out, annoying moments, low-brow humor, toilet humor, fart jokes, swear words, cringeworthy moments, sterile moments, racial stereotypes, seasonal rot, rip-off stuffs, relationship drama, plot holes, rehashed nostalgia pandering, safe ideas, repetitive stuff, bland stuff, controversial scenes, mean-spirited humor, common fetishes, product placement (except for when it's for the good of Warner Bros. & Nintendo) and cliché plots would be all removed.
      • Have better written Time Warner and Nintendo worlds as part of the main plot and not bound and gagged.
        • Lack of restrictions, repetitive, boring, charmless, retconned, feeling forced, inconsistent, cringe, cliché, confusing, predictable, uninteresting, safe, and bland instead keep the more freedom, original, fun, charm, unpredictable, interesting, consistent, experimental, and creative while feels like a mix of Warner Bros. & Nintendo.
      • Make the show more creative freedom and not bogged down by executive meddling, mandates, and restriction.
        • Warner Bros., Nintendo, and Amblimation never made the infamous mandates due to 100% creative freedom instead of restrictions/mandates.
      • The level sense of humor of Looney Tunes/Merrie Melodies franchise/MGM Cartoons/DePatie-Freleng (including its spin-offs Tiny Toon Adventures and Animaniacs), various Hanna-Barbera animated series (minus OTL's bad reboot shows), Steven Spielberg/Tom Ruegger Warner Bros. animated series from the '90s, Cartoon Network from the '90s-early 2000's (minus OTL's bad reboot shows), Mario & Luigi series, Paper Mario series, Sonic the Hedgehog franchise (unlike the OTL's Pontac and Graff's era), Sonic Boom, Banjo-Kazooie series (since Nintendo bought Rareware in 2000), SpongeBob SquarePants (seasons 1-3/pre movie instead of OTL's post movie), One Piece (Pre-Timeskip), Kid Icarus series (same level as Uprising's humor), and The Lego Movie series while keep creative and clever and feels like a mix of Warner Bros. & Nintendo instead of unnecessary unfunny, pointless, gross out humor, toilet humor, cringe, crude, uncharm, bland for shock value, and etc.
        • Make sure the show's humor has evolved and improved over the years with more personalities, maintaining strong humor in general without losing momentum.
      • The meta humor like Looney Tunes/Merrie Melodies franchise/MGM Cartoons/DePatie-Freleng (including its spin-offs Tiny Toon Adventures and Animaniacs) (due to William Hanna and Joseph Barbera worked for Warner Bros. after leaving MGM and retained the rights for Tom and Jerry), Steven Spielberg/Tom Ruegger Warner Bros. animated series from the '90s, Ed, Edd, n Eddy, Paper Mario series, Sonic Boom (TV series and comics), Kid Icarus series (same level as Uprising's meta humor), Earthbound, The Grim Adventures of Billy and Mandy, Bobobo-bo Bo-bobo, Chowder, and The Amazing World of Gumball (rather than making meta element-filled myth arcs) while keep the more creative, medium, fun, and feels like a mix of Warner Bros. & Nintendo instead of make meta humor were being used to barely cover lazy, insecure writing.
        • Make sure the show's meta humor has evolved and improved over the years with more personalities, maintaining strong meta humor in general without losing momentum.
      • Unlike the original webtoons, Daffy is a still contestant as his protagonistic role. His antagonistic role was given to Viper instead.
    • Holidays special, mini-series, and special events:
      • Keep more creativity, experimental, innovation, weird, freedom, interesting, consistent, fresh, unpredictable, charm, fun, and original while feels like a mix of Warner Bros. & Nintendo due to lacked of repetitive, safe, rehashed nostalgia pandering, boring, uninteresting, inconsistent, restrictions/mandates, predictable, uncharm, basic, and bland ones.
      • Keep it full of charm, fun, creativity, heart of gold, timeless, and innovation while feels like a mix of Warner Bros. & Nintendo rather than lost and becomes fully serious/drama, boring, uncharm, trauma, heartless, uncreativity, grounded, real, depression, and battles.
      • Make the more balance original, Warner Bros., and Nintendo rather than worse and removed.
        • More Warner Bros. and Nintendo characters, references, and easter eggs rather than removed.
        • Unlike the IOTL, make the fan service like Kirby and Mario Movie instead of just sexual things, first game, and settling with the bare minimum.
        • Give the various original, TimeWarner, & Nintendo locations a fully creative, original, fresh, interesting, fun, unpredictable, and experimental with full of charm while feels like a mix of Warner Bros. & Nintendo instead of generic, bland, safe, uncharm, rehashed, boring, uninteresting, and predictable.
        • Keep more creativity, experimental, innovation, weird, freedom, interesting, consistent, fresh, unpredictable, charm, fun, and original while feels like a mix of Warner Bros. & Nintendo due to lacked of repetitive, safe, rehashed nostalgia pandering, boring, uninteresting, inconsistent, restrictions/mandates, predictable, uncharm, basic, and bland ones.
      • Improve the writing, direction, morals, and humor instead of became worse and worse.
        • Use human to write the show instead of use A.I to write.
        • Better written and morals more like humans, creative, fresh, fun, likable, unpredictable, charm, interesting, and unique rather than A.I., mediocre, mean-spirited, bad terrible, uncharm, boring, predictable, uninteresting, rehashed, and bland.
          • Have the morals and life lessons presented in the show be clear, positive, heart, respect, passion, and appropriate for the target audience while feels like a mix of Warner Bros. & Nintendo. Avoid messages that are ridiculous, dangerous, heartless, disrespect, or offensive.
          • Have the show teach positive, heart, respect, and valuable morals as a whole while feels like a mix of Warner Bros. & Nintendo. Avoid situations where characters win by using dishonest, heartless, disrespect, misunderstanding, or harmful tactics, and instead focus on resolving conflicts through communication, honest, empathy, respect, and understanding while feels like a mix of Warner Bros. & Nintendo.
        • Make sure the show's writing, direction, morals, and writing has evolved and improved over the years with more personalities, maintaining strong writing, direction, morals, writing, and art-style in general without losing momentum.
      • No more pacing and execution issues.
      • Running time: 22 minutes (half-hour episodes/specials) and 44 minutes (full-hour episodes/specials).
      • Make the animation look more expressive, full of life, upgrade, and fun rather than stiff, lifeless, downgrade, and boring.
        • Give the animators are full of freedom, consistent, charm, and fun instead of limited, inconsistent, boring, uncharm, and restriction.
      • Make the characters have more unique, creativity, charm, smart, selfless, consistent, fleshed out, mature, and likable personalities while feels like a mix of Warner Bros. & Nintendo and keep 100% faithful the video games personalities due to the characters remains unflanderized instead of reused, one-note character, uncharm, inconsistent, immature, stupid, selfish, and mean-spirited/unlikable.
        • Keep the characters started to get slowly progressively passive, smart, charm, consistent, fleshed out, selfless, and likable while feels like a mix of Warner Bros. & Nintendo and keep 100% faithful the video games characters due to the characters remains unflanderized instead of annoying, one-note character, inconsistent, stupid, uncharm, selfish, and unlikable.
      • Make the plot, locations, running gags, title cards, eyecatches, characters, and transitions are fully original, charm, experimental, freedom, consistent, fun, fresh, interesting, unpredictable, and creative while feels like a mix of Warner Bros. & Nintendo instead of reused, safe, retconned, uncharm, boring, cliché, rehashed, predictable, restrictions, weak, inconsistent, confusing, uninteresting, and bland.
        • Make the running gags are more original, charm, experimental, creative freedom, fun, interesting, fresh, consistent, charm, unpredictable, and creative while feels like a mix of Warner Bros. & Nintendo instead of reused, safe, charmless, retconned, cliché, feeling forced, cringe, inconsistent, restrictions, confusing, predictable, boring, rehashed, uninteresting, and bland.
      • Make the halloween stories attempts to tell more creativity, experimental, weird, interesting, fresh, fun, unpredictable, charm, and original while feels like a mix of Warner Bros. & Nintendo due to lacked of repetitive, safe, rehashed nostalgia pandering, uninteresting, retconned, confusing, uncharm, predictable, boring, basic, and bland ones.
        • Make the opening and closing credits feature scary names are more freedom, original, fun, weird, fun, charm, unpredictable, consistent, interesting, experimental, and creative while feels like a mix of Warner Bros. & Nintendo instead of restrictions, repetitive, boring, uncharm, predictable, inconsistent, basic, uninteresting, safe, and bland.
        • Make the couch gags are more freedom, original, fun, weird, fun, consistent, charm, unpredictable, interesting, experimental, and creative while feels like a mix of Warner Bros. & Nintendo instead of restrictions, repetitive, boring, uncharm, predictable, inconsistent, basic, uninteresting, safe, and bland.
        • The darker tone same level as Mook Animation’s Scooby-Doo films, The Real Adventures of Jonny Quest, SWAT Kats: The Radical Squadron, Beetlejuice: The Animated Series, Adventure Time, Terror Tales of the Park, Death Bear (episode), Grave Sights, Jinx (episode), and Skunked from Regular Show, Courage the Cowardly Dog, Luigi's Mansion 1, The Grim Adventures of Billy & Mandy, The Legend of Zelda Majora's Mask, Shadow the Hedgehog (video game), The Legend of Zelda Twilight Princess, The Marvelous Misadventures of Flapjack, Mario Strikers Charged, Scooby-Doo Mystery Incorporated, The Joy from The Amazing World of Gumball, and Over the Garden Wall.
          • For example, Cartoon Network in general always had a lot of nightmare fuel sprinkled in.
        • The halloween specials are rated TV-PG-V (TV-PG-V-F on Blockbuster Online) instead of TV-Y, TV-14 and TV-MA.
        • Make the halloween specials a full-blown horror comedy with more surrealist elements.
          • Lack of restrictions, repetitive, boring, uncharm, predictable, inconsistent, uninteresting, safe, and bland instead keep the more freedom, original, fun, charm, unpredictable, consistent, interesting, innovation, experimental, and creative while feels like a mix of Warner Bros. & Nintendo.
        • Embrace the fun of the various original, TimeWarner, & Nintendo stuffs while also not being afraid of having creepy moments.
          • Lack of restrictions, repetitive, boring, uncharm, predictable, inconsistent, uninteresting, safe, and bland instead keep the more freedom, original, fun, charm, unpredictable, consistent, interesting, innovation, experimental, and creative while feels like a mix of Warner Bros. & Nintendo.
        • At the closing credits, "Merrily We Roll Along" from Looney Tunes/Merrie Melodies franchise is played in the same way as the Warner Bros. Television Animation & Nintendo Pictures logo variant from Scooby-Doo! Mystery Incorporated.
        • Starting aired on October 30, 1998 on Cartoon Network, during the first season.
        • Lack of restrictions, repetitive, boring, uncharm, predictable, inconsistent, uninteresting, safe, and bland instead keep the more freedom, original, fun, charm, unpredictable, consistent, interesting, innovation, experimental, and creative while feels like a mix of Warner Bros. & Nintendo.
      • The gross-out, annoying moments, low-brow humor, toilet humor, fart jokes, swear words, cringeworthy moments, sterile moments, racial stereotypes, seasonal rot, rip-off stuffs, relationship drama, plot holes, rehashed nostalgia pandering, safe ideas, repetitive stuff, bland stuff, controversial scenes, mean-spirited humor, common fetishes, product placement (except for when it's for the good of Warner Bros. & Nintendo) and cliché plots would be all removed.
      • These specials are sometimes rated TV-PG instead of TV-Y, TV-14 and TV-MA.
      • Have better written Time Warner and Nintendo worlds as part of the main plot and not bound and gagged.
        • Lack of restrictions, repetitive, boring, charmless, retconned, feeling forced, inconsistent, cringe, cliché, confusing, predictable, uninteresting, safe, and bland instead keep the more freedom, original, fun, charm, unpredictable, interesting, consistent, experimental, and creative while feels like a mix of Warner Bros. & Nintendo.
      • Make the show more creative freedom and not bogged down by executive meddling, mandates, and restriction.
        • Warner Bros., Nintendo, and Amblimation never made the infamous mandates due to 100% creative freedom instead of restrictions/mandates.
      • The level sense of humor of Looney Tunes/Merrie Melodies franchise/MGM Cartoons/DePatie-Freleng (including its spin-offs Tiny Toon Adventures and Animaniacs), various Hanna-Barbera animated series (minus OTL's bad reboot shows), Steven Spielberg/Tom Ruegger Warner Bros. animated series from the '90s, Cartoon Network from the '90s-early 2000's (minus OTL's bad reboot shows), Mario & Luigi series, Paper Mario series, Sonic the Hedgehog franchise (unlike the OTL's Pontac and Graff's era), Sonic Boom, Banjo-Kazooie series (since Nintendo bought Rareware in 2000), SpongeBob SquarePants (seasons 1-3/pre movie instead of OTL's post movie), One Piece (Pre-Timeskip), Kid Icarus series (same level as Uprising's humor), and The Lego Movie series while keep creative and clever and feels like a mix of Warner Bros. & Nintendo instead of unnecessary unfunny, pointless, gross out humor, toilet humor, cringe, crude, uncharm, bland for shock value, and etc.
        • Make sure the show's humor has evolved and improved over the years with more personalities, maintaining strong humor in general without losing momentum.
      • The meta humor like Looney Tunes/Merrie Melodies franchise/MGM Cartoons/DePatie-Freleng (including its spin-offs Tiny Toon Adventures and Animaniacs) (due to William Hanna and Joseph Barbera worked for Warner Bros. after leaving MGM and retained the rights for Tom and Jerry), Steven Spielberg/Tom Ruegger Warner Bros. animated series from the '90s, Ed, Edd, n Eddy, Paper Mario series, Sonic Boom (TV series and comics), Kid Icarus series (same level as Uprising's meta humor), Earthbound, The Grim Adventures of Billy and Mandy, Bobobo-bo Bo-bobo, Chowder, and The Amazing World of Gumball (rather than making meta element-filled myth arcs) while keep the more creative, medium, fun, and feels like a mix of Warner Bros. & Nintendo instead of make meta humor were being used to barely cover lazy, insecure writing.
        • Make sure the show's meta humor has evolved and improved over the years with more personalities, maintaining strong meta humor in general without losing momentum.
      • Cartoon Network Invaded special final part during Cartoon Network Invaded in 2007-current:
        • Keep more creativity, experimental, innovation, weird, freedom, interesting, consistent, fresh, unpredictable, charm, fun, and original while feels like a mix of Warner Bros. & Nintendo due to lacked of repetitive, safe, rehashed nostalgia pandering, boring, uninteresting, inconsistent, restrictions/mandates, predictable, uncharm, basic, and bland ones.
        • Keep it full of charm, fun, creativity, heart of gold, timeless, and innovation while feels like a mix of Warner Bros. & Nintendo rather than lost and becomes fully serious/drama, boring, uncharm, trauma, heartless, uncreativity, grounded, real, depression, and battles.
        • Make the more balance original, Warner Bros., and Nintendo rather than worse and removed.
          • More Warner Bros. and Nintendo characters, references, and easter eggs rather than removed.
          • Unlike the IOTL, make the fan service like Kirby and Mario Movie instead of just sexual things, first game, and settling with the bare minimum.
          • Give the various original, TimeWarner, & Nintendo locations a fully creative, original, fresh, freedom, interesting, fun, unpredictable, and experimental with full of charm while feels like a mix of Warner Bros. & Nintendo instead of generic, bland, safe, uncharm, rehashed, boring, restrictions, uninteresting, and predictable.
          • Keep more creativity, experimental, innovation, weird, freedom, interesting, consistent, fresh, unpredictable, charm, fun, and original while feels like a mix of Warner Bros. & Nintendo due to lacked of repetitive, safe, rehashed nostalgia pandering, boring, uninteresting, inconsistent, restrictions/mandates, predictable, uncharm, basic, and bland ones.
        • Improve the writing, direction, morals, and humor instead of became worse and worse.
          • Use human to write the show instead of use A.I to write.
          • Better written and morals more like humans, creative, fresh, fun, likable, unpredictable, charm, interesting, and unique rather than A.I., mediocre, mean-spirited, bad terrible, uncharm, boring, predictable, uninteresting, rehashed, and bland.
            • Have the morals and life lessons presented in the show be clear, positive, heart, respect, passion, and appropriate for the target audience while feels like a mix of Warner Bros. & Nintendo. Avoid messages that are ridiculous, dangerous, heartless, disrespect, or offensive.
            • Have the show teach positive, heart, respect, and valuable morals as a whole while feels like a mix of Warner Bros. & Nintendo. Avoid situations where characters win by using dishonest, heartless, disrespect, misunderstanding, or harmful tactics, and instead focus on resolving conflicts through communication, honest, empathy, respect, and understanding while feels like a mix of Warner Bros. & Nintendo.
          • Make sure the show's writing, direction, morals, and writing has evolved and improved over the years with more personalities, maintaining strong writing, direction, morals, writing, and art-style in general without losing momentum.
        • No more pacing and execution issues.
        • Make the animation look more expressive, full of life, upgrade, and fun rather than stiff, lifeless, downgrade, and boring.
          • Animated by TMS Entertainment.
          • Give the animators are full of freedom, consistent, charm, and fun instead of limited, inconsistent, boring, uncharm, and restriction.
        • Make the characters have more unique, creativity, charm, smart, selfless, consistent, fleshed out, mature, and likable personalities while feels like a mix of Warner Bros. & Nintendo and keep 100% faithful the video games personalities due to the characters remains unflanderized instead of reused, one-note character, uncharm, inconsistent, immature, stupid, selfish, and mean-spirited/unlikable.
          • Keep the characters started to get slowly progressively passive, smart, charm, consistent, fleshed out, selfless, and likable while feels like a mix of Warner Bros. & Nintendo and keep 100% faithful the video games characters due to the characters remains unflanderized instead of annoying, one-note character, inconsistent, stupid, uncharm, selfish, and unlikable.
        • Make the plot, locations, running gags, title cards, eyecatches, characters, and transitions are fully original, charm, experimental, fun, fresh, consistent, interesting, unpredictable, and creative while feels like a mix of Warner Bros. & Nintendo instead of reused, safe, retconned, uncharm, boring, cliché, rehashed, predictable, weak, inconsistent, confusing, uninteresting, and bland.
          • Make the running gags are more original, charm, experimental, creative freedom, fun, interesting, fresh, consistent, charm, unpredictable, and creative while feels like a mix of Warner Bros. & Nintendo instead of reused, safe, charmless, retconned, cliché, feeling forced, cringe, inconsistent, restrictions, confusing, predictable, boring, rehashed, uninteresting, and bland.
        • The gross-out, annoying moments, low-brow humor, toilet humor, fart jokes, swear words, cringeworthy moments, sterile moments, racial stereotypes, seasonal rot, rip-off stuffs, relationship drama, plot holes, rehashed nostalgia pandering, safe ideas, repetitive stuff, bland stuff, controversial scenes, mean-spirited humor, common fetishes, product placement (except for when it's for the good of Warner Bros. & Nintendo) and cliché plots would be all removed.
        • These specials are sometimes rated TV-PG instead of TV-Y, TV-14 and TV-MA.
        • Have better written Time Warner and Nintendo worlds as part of the main plot and not bound and gagged.
          • Lack of restrictions, repetitive, boring, charmless, retconned, feeling forced, inconsistent, cringe, cliché, confusing, predictable, uninteresting, safe, and bland instead keep the more freedom, original, fun, charm, unpredictable, interesting, consistent, experimental, and creative while feels like a mix of Warner Bros. & Nintendo.
        • Make the show more creative freedom and not bogged down by executive meddling, mandates, and restriction.
          • Warner Bros., Nintendo, and Amblimation never made the infamous mandates due to 100% creative freedom instead of restrictions/mandates.
        • The level sense of humor of Looney Tunes/Merrie Melodies franchise/MGM Cartoons/DePatie-Freleng (including its spin-offs Tiny Toon Adventures and Animaniacs), various Hanna-Barbera animated series (minus OTL's bad reboot shows), Steven Spielberg/Tom Ruegger Warner Bros. animated series from the '90s, Cartoon Network from the '90s-early 2000's (minus OTL's bad reboot shows), Mario & Luigi series, Paper Mario series, Sonic the Hedgehog franchise (unlike the OTL's Pontac and Graff's era), Sonic Boom, Banjo-Kazooie series (since Nintendo bought Rareware in 2000), SpongeBob SquarePants (seasons 1-3/pre movie instead of OTL's post movie), One Piece (Pre-Timeskip), Kid Icarus series (same level as Uprising's humor), and The Lego Movie series while keep creative and clever and feels like a mix of Warner Bros. & Nintendo instead of unnecessary unfunny, pointless, gross out humor, toilet humor, cringe, crude, uncharm, bland for shock value, and etc.
          • Make sure the show's humor has evolved and improved over the years with more personalities, maintaining strong humor in general without losing momentum.
        • The meta humor like Looney Tunes/Merrie Melodies franchise/MGM Cartoons/DePatie-Freleng (including its spin-offs Tiny Toon Adventures and Animaniacs) (due to William Hanna and Joseph Barbera worked for Warner Bros. after leaving MGM and retained the rights for Tom and Jerry), Steven Spielberg/Tom Ruegger Warner Bros. animated series from the '90s, Ed, Edd, n Eddy, Paper Mario series, Sonic Boom (TV series and comics), Kid Icarus series (same level as Uprising's meta humor), Earthbound, The Grim Adventures of Billy and Mandy, Bobobo-bo Bo-bobo, Chowder, and The Amazing World of Gumball (rather than making meta element-filled myth arcs) while keep the more creative, medium, fun, and feels like a mix of Warner Bros. & Nintendo instead of make meta humor were being used to barely cover lazy, insecure writing.
          • Make sure the show's meta humor has evolved and improved over the years with more personalities, maintaining strong meta humor in general without losing momentum.
        • Better ending in every episodes due to better written and avoid meh to worse written in general instead of bad, abysmal, bittersweet, meh, unsatisfying, mean-spirited, and disturbing ending with meh to worse written.
      • Sports Blab:
        • The half-hour and full-hour special was inspired by Looney Tunes Sports Blab webtoons, Space Jam (1996), Skate Jam, Space Jam A New Legacy, Nintendo All-Stars at the Olympic Games series, Laff-A-Lympics, Mii Sports series (Unlike the OTL’s Nintendo Switch Sports), Mario Sports games (same level as GCN era rather than OTL's NSMB era and Switch era (IOTL version)), Pokémon anime sports episodes, Punch-Out series, Sega Superstars Sports, Splatoon series, and ARMS series.
        • Hosted by Narrator, Paul, Tweety Bird, Porky Pig, Snagglepuss, Mildew Wolf, Toadsworth, Kamek, Orbot, Cubot, Omochao, Dodon Pa, and Talking Flower.
        • Keep more creativity, experimental, innovation, weird, freedom, interesting, consistent, fresh, unpredictable, charm, fun, and original while feels like a mix of Warner Bros. & Nintendo due to lacked of repetitive, safe, rehashed nostalgia pandering, boring, uninteresting, inconsistent, restrictions/mandates, predictable, uncharm, basic, and bland ones.
        • Keep it full of charm, fun, creativity, heart of gold, timeless, and innovation while feels like a mix of Warner Bros. & Nintendo rather than lost and becomes fully serious/drama, boring, uncharm, trauma, heartless, uncreativity, grounded, real, depression, and battles.
        • Make the confessional is similar to Total Drama franchise.
          • Lack of restrictions, repetitive, boring, uncharm, rehashed, predictable, uninteresting, safe, and bland instead keep the more freedom, original, fun, charm, unpredictable, interesting, innovate, fresh, experimental, and creative while feels like a mix of Warner Bros. & Nintendo.
        • Make the more balance original, Warner Bros., and Nintendo rather than worse and removed.
          • More Warner Bros. and Nintendo characters, references, and easter eggs rather than removed.
          • Unlike the IOTL, make the fan service like Kirby and Mario Movie instead of just sexual things, first game, and settling with the bare minimum.
          • Give the various original, TimeWarner, & Nintendo locations a fully creative, original, fresh, interesting, fun, unpredictable, and experimental with full of charm while feels like a mix of Warner Bros. & Nintendo instead of generic, bland, safe, uncharm, rehashed, boring, uninteresting, and predictable.
          • Keep more creativity, experimental, innovation, weird, freedom, interesting, consistent, fresh, unpredictable, charm, fun, and original while feels like a mix of Warner Bros. & Nintendo due to lacked of repetitive, safe, rehashed nostalgia pandering, boring, uninteresting, inconsistent, restrictions/mandates, predictable, uncharm, basic, and bland ones.
        • Improve the writing, direction, morals, and humor instead of became worse and worse.
          • Use human to write the show instead of use A.I to write.
          • Better written and morals more like humans, creative, fresh, fun, likable, unpredictable, charm, interesting, and unique rather than A.I., mediocre, mean-spirited, bad terrible, uncharm, boring, predictable, uninteresting, rehashed, and bland.
            • Have the morals and life lessons presented in the show be clear, positive, heart, respect, passion, and appropriate for the target audience while feels like a mix of Warner Bros. & Nintendo. Avoid messages that are ridiculous, dangerous, heartless, disrespect, or offensive.
            • Have the show teach positive, heart, respect, and valuable morals as a whole while feels like a mix of Warner Bros. & Nintendo. Avoid situations where characters win by using dishonest, heartless, disrespect, misunderstanding, or harmful tactics, and instead focus on resolving conflicts through communication, honest, empathy, respect, and understanding while feels like a mix of Warner Bros. & Nintendo.
          • Make sure the show's writing, direction, morals, and writing has evolved and improved over the years with more personalities, maintaining strong writing, direction, morals, writing, and art-style in general without losing momentum.
        • No more pacing and execution issues.
        • Make the animation look more expressive, full of life, upgrade, and fun rather than stiff, lifeless, downgrade, and boring.
          • Give the animators are full of freedom, consistent, charm, and fun instead of limited, inconsistent, boring, uncharm, and restriction.
        • Make the plot, locations, running gags, title cards, eyecatches, characters, and transitions are fully original, charm, freedom, experimental, fun, consistent, fresh, interesting, unpredictable, and creative while feels like a mix of Warner Bros. & Nintendo instead of reused, safe, retconned, uncharm, boring, cliché, rehashed, restrictions, predictable, weak, inconsistent, confusing, uninteresting, and bland.
          • Make the running gags are more original, charm, experimental, creative freedom, fun, interesting, fresh, consistent, charm, unpredictable, and creative while feels like a mix of Warner Bros. & Nintendo instead of reused, safe, charmless, retconned, cliché, feeling forced, cringe, inconsistent, restrictions, confusing, predictable, boring, rehashed, uninteresting, and bland.
        • Make the characters have more unique, creativity, charm, smart, selfless, consistent, fleshed out, mature, and likable personalities while feels like a mix of Warner Bros. & Nintendo and keep 100% faithful the video games personalities due to the characters remains unflanderized instead of reused, one-note character, uncharm, inconsistent, immature, stupid, selfish, and mean-spirited/unlikable.
          • Keep the characters started to get slowly progressively passive, smart, charm, consistent, fleshed out, selfless, and likable while feels like a mix of Warner Bros. & Nintendo and keep 100% faithful the video games characters due to the characters remains unflanderized instead of annoying, one-note character, inconsistent, stupid, uncharm, selfish, and unlikable.
        • The gross-out, annoying moments, low-brow humor, toilet humor, fart jokes, swear words, cringeworthy moments, sterile moments, racial stereotypes, seasonal rot, rip-off stuffs, relationship drama, plot holes, rehashed nostalgia pandering, safe ideas, repetitive stuff, bland stuff, controversial scenes, mean-spirited humor, common fetishes, product placement (except for when it's for the good of Warner Bros. & Nintendo) and cliché plots would be all removed.
        • Have better written Time Warner and Nintendo worlds as part of the main plot and not bound and gagged.
          • Lack of restrictions, repetitive, boring, charmless, retconned, feeling forced, inconsistent, cringe, cliché, confusing, predictable, uninteresting, safe, and bland instead keep the more freedom, original, fun, charm, unpredictable, interesting, consistent, experimental, and creative while feels like a mix of Warner Bros. & Nintendo.
        • Make the show more creative freedom and not bogged down by executive meddling, mandates, and restriction.
          • Warner Bros., Nintendo, and Amblimation never made the infamous mandates due to 100% creative freedom instead of restrictions/mandates.
        • The level sense of humor of Looney Tunes/Merrie Melodies franchise/MGM Cartoons/DePatie-Freleng (including its spin-offs Tiny Toon Adventures and Animaniacs), various Hanna-Barbera animated series (minus OTL's bad reboot shows), Steven Spielberg/Tom Ruegger Warner Bros. animated series from the '90s, Cartoon Network from the '90s-early 2000's (minus OTL's bad reboot shows), Mario & Luigi series, Paper Mario series, Sonic the Hedgehog franchise (unlike the OTL's Pontac and Graff's era), Sonic Boom, Banjo-Kazooie series (since Nintendo bought Rareware in 2000), SpongeBob SquarePants (seasons 1-3/pre movie instead of OTL's post movie), One Piece (Pre-Timeskip), Kid Icarus series (same level as Uprising's humor), and The Lego Movie series while keep creative and clever and feels like a mix of Warner Bros. & Nintendo instead of unnecessary unfunny, pointless, gross out humor, toilet humor, cringe, crude, uncharm, bland for shock value, and etc.
          • Make sure the show's humor has evolved and improved over the years with more personalities, maintaining strong humor in general without losing momentum.
        • The meta humor like Looney Tunes/Merrie Melodies franchise/MGM Cartoons/DePatie-Freleng (including its spin-offs Tiny Toon Adventures and Animaniacs) (due to William Hanna and Joseph Barbera worked for Warner Bros. after leaving MGM and retained the rights for Tom and Jerry), Steven Spielberg/Tom Ruegger Warner Bros. animated series from the '90s, Ed, Edd, n Eddy, Paper Mario series, Sonic Boom (TV series and comics), Kid Icarus series (same level as Uprising's meta humor), Earthbound, The Grim Adventures of Billy and Mandy, Bobobo-bo Bo-bobo, Chowder, and The Amazing World of Gumball (rather than making meta element-filled myth arcs) while keep the more creative, medium, fun, and feels like a mix of Warner Bros. & Nintendo instead of make meta humor were being used to barely cover lazy, insecure writing.
          • Make sure the show's meta humor has evolved and improved over the years with more personalities, maintaining strong meta humor in general without losing momentum.
        • Added of Olympic Summer Games, Olympic Winter Games, and Dream Events in the special events.
        • Better ending in every episodes due to better written and avoid meh to worse written in general instead of bad, abysmal, bittersweet, meh, unsatisfying, mean-spirited, and disturbing ending with meh to worse written.
      • Judged Granny:
        • The segment serves as a spoof of Judge Judy.
        • The segment serves as a adapted from Looney Tunes webtoons.
        • Keep more creativity, experimental, innovation, weird, freedom, interesting, consistent, fresh, unpredictable, charm, fun, and original while feels like a mix of Warner Bros. & Nintendo due to lacked of repetitive, safe, rehashed nostalgia pandering, boring, uninteresting, inconsistent, restrictions/mandates, predictable, uncharm, basic, and bland ones.
        • Keep it full of charm, fun, creativity, heart of gold, timeless, and innovation while feels like a mix of Warner Bros. & Nintendo rather than lost and becomes fully serious/drama, boring, uncharm, trauma, heartless, uncreativity, grounded, real, depression, and battles.
        • Make the more balance original, Warner Bros., and Nintendo rather than worse and removed.
          • More Warner Bros. and Nintendo characters, references, and easter eggs rather than removed.
          • Unlike the IOTL, make the fan service like Kirby and Mario Movie instead of just sexual things, first game, and settling with the bare minimum.
          • Give the various original, TimeWarner, & Nintendo locations a fully creative, original, fresh, interesting, fun, freedom, unpredictable, and experimental with full of charm while feels like a mix of Warner Bros. & Nintendo instead of generic, bland, safe, uncharm, rehashed, boring, restrictions, uninteresting, and predictable.
          • Keep more creativity, experimental, innovation, weird, freedom, interesting, consistent, fresh, unpredictable, charm, fun, and original while feels like a mix of Warner Bros. & Nintendo due to lacked of repetitive, safe, rehashed nostalgia pandering, boring, uninteresting, inconsistent, restrictions/mandates, predictable, uncharm, basic, and bland ones.
        • No more pacing and execution issues.
        • Improve the writing, direction, morals, and humor instead of became worse and worse.
          • Use human to write the show instead of use A.I to write.
          • Better written and morals more like humans, creative, fresh, fun, likable, unpredictable, charm, interesting, and unique rather than A.I., mediocre, mean-spirited, bad terrible, uncharm, boring, predictable, uninteresting, rehashed, and bland.
            • Have the morals and life lessons presented in the show be clear, positive, heart, respect, passion, and appropriate for the target audience while feels like a mix of Warner Bros. & Nintendo. Avoid messages that are ridiculous, dangerous, heartless, disrespect, or offensive.
            • Have the show teach positive, heart, respect, and valuable morals as a whole while feels like a mix of Warner Bros. & Nintendo. Avoid situations where characters win by using dishonest, heartless, disrespect, misunderstanding, or harmful tactics, and instead focus on resolving conflicts through communication, honest, empathy, respect, and understanding while feels like a mix of Warner Bros. & Nintendo.
          • Make sure the show's writing, direction, morals, and writing has evolved and improved over the years with more personalities, maintaining strong writing, direction, morals, writing, and art-style in general without losing momentum.
        • Make the animation look more expressive, full of life, upgrade, and fun rather than stiff, lifeless, downgrade, and boring.
          • Give the animators are full of freedom, consistent, charm, and fun instead of limited, inconsistent, boring, uncharm, and restriction.
        • Make the plot, locations, running gags, title cards, eyecatches, characters, and transitions are fully original, charm, experimental, consistent, freedom, fun, fresh, interesting, unpredictable, and creative while feels like a mix of Warner Bros. & Nintendo instead of reused, safe, uncharm, boring, retconned, confusing, weak, cliché, rehashed, restrictions, inconsistent, predictable, confusing, uninteresting, and bland.
          • Make the running gags are more original, charm, experimental, creative freedom, fun, interesting, fresh, consistent, charm, unpredictable, and creative while feels like a mix of Warner Bros. & Nintendo instead of reused, safe, charmless, retconned, cliché, feeling forced, cringe, inconsistent, restrictions, confusing, predictable, boring, rehashed, uninteresting, and bland.
        • Make the characters have more unique, creativity, charm, smart, selfless, consistent, fleshed out, mature, and likable personalities while feels like a mix of Warner Bros. & Nintendo and keep 100% faithful the video games personalities due to the characters remains unflanderized instead of reused, one-note character, uncharm, inconsistent, immature, stupid, selfish, and mean-spirited/unlikable.
          • Keep the characters started to get slowly progressively passive, smart, charm, consistent, fleshed out, selfless, and likable while feels like a mix of Warner Bros. & Nintendo and keep 100% faithful the video games characters due to the characters remains unflanderized instead of annoying, one-note character, inconsistent, stupid, uncharm, selfish, and unlikable.
        • The gross-out, annoying moments, low-brow humor, toilet humor, fart jokes, swear words, cringeworthy moments, sterile moments, racial stereotypes, seasonal rot, rip-off stuffs, relationship drama, plot holes, rehashed nostalgia pandering, safe ideas, repetitive stuff, bland stuff, controversial scenes, mean-spirited humor, common fetishes, product placement (except for when it's for the good of Warner Bros. & Nintendo) and cliché plots would be all removed.
        • Have better written Time Warner and Nintendo worlds as part of the main plot and not bound and gagged.
          • Lack of restrictions, repetitive, boring, charmless, retconned, feeling forced, inconsistent, cringe, cliché, confusing, predictable, uninteresting, safe, and bland instead keep the more freedom, original, fun, charm, unpredictable, interesting, consistent, experimental, and creative while feels like a mix of Warner Bros. & Nintendo.
        • Make the show more creative freedom and not bogged down by executive meddling, mandates, and restriction.
          • Warner Bros., Nintendo, and Amblimation never made the infamous mandates due to 100% creative freedom instead of restrictions/mandates.
        • The level sense of humor of Looney Tunes/Merrie Melodies franchise/MGM Cartoons/DePatie-Freleng (including its spin-offs Tiny Toon Adventures and Animaniacs), various Hanna-Barbera animated series (minus OTL's bad reboot shows), Steven Spielberg/Tom Ruegger Warner Bros. animated series from the '90s, Cartoon Network from the '90s-early 2000's (minus OTL's bad reboot shows), Mario & Luigi series, Paper Mario series, Sonic the Hedgehog franchise (unlike the OTL's Pontac and Graff's era), Sonic Boom, Banjo-Kazooie series (since Nintendo bought Rareware in 2000), SpongeBob SquarePants (seasons 1-3/pre movie instead of OTL's post movie), One Piece (Pre-Timeskip), Kid Icarus series (same level as Uprising's humor), and The Lego Movie series while keep creative and clever and feels like a mix of Warner Bros. & Nintendo instead of unnecessary unfunny, pointless, gross out humor, toilet humor, cringe, crude, uncharm, bland for shock value, and etc.
          • Make sure the show's humor has evolved and improved over the years with more personalities, maintaining strong humor in general without losing momentum.
        • The meta humor like Looney Tunes/Merrie Melodies franchise/MGM Cartoons/DePatie-Freleng (including its spin-offs Tiny Toon Adventures and Animaniacs) (due to William Hanna and Joseph Barbera worked for Warner Bros. after leaving MGM and retained the rights for Tom and Jerry), Steven Spielberg/Tom Ruegger Warner Bros. animated series from the '90s, Ed, Edd, n Eddy, Paper Mario series, Sonic Boom (TV series and comics), Kid Icarus series (same level as Uprising's meta humor), Earthbound, The Grim Adventures of Billy and Mandy, Bobobo-bo Bo-bobo, Chowder, and The Amazing World of Gumball (rather than making meta element-filled myth arcs) while keep the more creative, medium, fun, and feels like a mix of Warner Bros. & Nintendo instead of make meta humor were being used to barely cover lazy, insecure writing.
          • Make sure the show's meta humor has evolved and improved over the years with more personalities, maintaining strong meta humor in general without losing momentum.
        • Better ending in every episodes due to better written and avoid meh to worse written in general instead of bad, abysmal, bittersweet, meh, unsatisfying, mean-spirited, and disturbing ending with meh to worse written.
      • [Racing special event]:
        • The half-hour and full-hour special was inspired by Looney Tunes Junkyard Run webtoons, Wacky Races, Looney Tunes Presents: The Fast and the Furry, Mario Kart series, Kirby’s Star Riders (based off of the cancelled Kirby’s Air Ride on the Nintendo 64 and PC from OTL), Kirby Star Chasers (Kirby Star Chasers is what Kirby Air Ride on GCN and PC is known as ITTL), F-Zero series, Diddy Kong Racing series, Donkey Kong Jungle Rush (known as Donkey Kong Racing IOTL), Sonic R, Sonic and Sega All-Stars Racing, Sonic Riders series, Sonic & All-Stars Racing Transformed, Dragon Ball Rally, and The Kirby Derby from Kirby Right Back at Ya!.
        • Keep more creativity, experimental, innovation, weird, freedom, interesting, consistent, fresh, unpredictable, charm, fun, and original while feels like a mix of Warner Bros. & Nintendo due to lacked of repetitive, safe, rehashed nostalgia pandering, boring, uninteresting, inconsistent, restrictions/mandates, predictable, uncharm, basic, and bland ones.
        • Make the confessional is similar to Total Drama franchise.
          • Lack of restrictions, repetitive, boring, uncharm, rehashed, predictable, uninteresting, safe, and bland instead keep the more freedom, original, fun, charm, unpredictable, interesting, innovate, fresh, experimental, and creative while feels like a mix of Warner Bros. & Nintendo.
        • Keep it full of charm, fun, creativity, heart of gold, timeless, and innovation while feels like a mix of Warner Bros. & Nintendo rather than lost and becomes fully serious/drama, boring, uncharm, trauma, heartless, uncreativity, grounded, real, depression, and battles.
        • Make the more balance original, Warner Bros., and Nintendo rather than worse and removed.
          • More Warner Bros. and Nintendo characters, references, and easter eggs rather than removed.
          • Unlike the IOTL, make the fan service like Kirby and Mario Movie instead of just sexual things, first game, and settling with the bare minimum.
          • Give the various original, TimeWarner, & Nintendo locations a fully creative, original, fresh, interesting, fun, unpredictable, and experimental with full of charm while feels like a mix of Warner Bros. & Nintendo instead of generic, bland, safe, uncharm, rehashed, boring, uninteresting, and predictable.
          • Keep more creativity, experimental, innovation, weird, freedom, interesting, consistent, fresh, unpredictable, charm, fun, and original while feels like a mix of Warner Bros. & Nintendo due to lacked of repetitive, safe, rehashed nostalgia pandering, boring, uninteresting, inconsistent, restrictions/mandates, predictable, uncharm, basic, and bland ones.
        • Improve the writing, direction, morals, and humor instead of became worse and worse.
          • Use human to write the show instead of use A.I to write.
          • Better written and morals more like humans, creative, fresh, fun, likable, unpredictable, charm, interesting, and unique rather than A.I., mediocre, mean-spirited, bad terrible, uncharm, boring, predictable, uninteresting, rehashed, and bland.
            • Have the morals and life lessons presented in the show be clear, positive, heart, respect, passion, and appropriate for the target audience while feels like a mix of Warner Bros. & Nintendo. Avoid messages that are ridiculous, dangerous, heartless, disrespect, or offensive.
            • Have the show teach positive, heart, respect, and valuable morals as a whole while feels like a mix of Warner Bros. & Nintendo. Avoid situations where characters win by using dishonest, heartless, disrespect, misunderstanding, or harmful tactics, and instead focus on resolving conflicts through communication, honest, empathy, respect, and understanding while feels like a mix of Warner Bros. & Nintendo.
          • Make sure the show's writing, direction, morals, and writing has evolved and improved over the years with more personalities, maintaining strong writing, direction, morals, writing, and art-style in general without losing momentum.
        • No more pacing and execution issues.
        • Make the animation look more expressive, full of life, upgrade, and fun rather than stiff, lifeless, downgrade, and boring.
          • For example, Ed, Edd, n Eddy is more expressive and incredibly consistent and Ed, Edd, n Eddy's animation was more focused on developing acting through full body movement & posing. Designs that allow for characters to be super expressive while not drifting too too far from model.
          • Give the animators are full of freedom, consistent, charm, and fun instead of limited, inconsistent, boring, uncharm, and restriction.
        • Make the plot, locations, running gags, title cards, eyecatches, characters, and transitions are fully original, charm, experimental, fun, consistent, fresh, interesting, unpredictable, and creative while feels like a mix of Warner Bros. & Nintendo instead of reused, safe, uncharm, boring, retconned, confusing, rehashed, cliché, weak, inconsistent, predictable, confusing, uninteresting, and bland.
          • Make the running gags are more original, charm, experimental, creative freedom, fun, interesting, fresh, consistent, charm, unpredictable, and creative while feels like a mix of Warner Bros. & Nintendo instead of reused, safe, charmless, retconned, cliché, feeling forced, cringe, inconsistent, restrictions, confusing, predictable, boring, rehashed, uninteresting, and bland.
        • Make the characters have more unique, creativity, charm, smart, selfless, consistent, fleshed out, mature, and likable personalities while feels like a mix of Warner Bros. & Nintendo and keep 100% faithful the video games personalities due to the characters remains unflanderized instead of reused, one-note character, uncharm, inconsistent, immature, stupid, selfish, and mean-spirited/unlikable.
          • Keep the characters started to get slowly progressively passive, smart, charm, consistent, fleshed out, selfless, and likable while feels like a mix of Warner Bros. & Nintendo and keep 100% faithful the video games characters due to the characters remains unflanderized instead of annoying, one-note character, inconsistent, stupid, uncharm, selfish, and unlikable.
        • The gross-out, annoying moments, low-brow humor, toilet humor, fart jokes, swear words, cringeworthy moments, sterile moments, racial stereotypes, seasonal rot, rip-off stuffs, relationship drama, plot holes, rehashed nostalgia pandering, safe ideas, repetitive stuff, bland stuff, controversial scenes, mean-spirited humor, common fetishes, product placement (except for when it's for the good of Warner Bros. & Nintendo) and cliché plots would be all removed.
        • Have better written Time Warner and Nintendo worlds as part of the main plot and not bound and gagged.
          • Lack of restrictions, repetitive, boring, charmless, retconned, feeling forced, inconsistent, cringe, cliché, confusing, predictable, uninteresting, safe, and bland instead keep the more freedom, original, fun, charm, unpredictable, interesting, consistent, experimental, and creative while feels like a mix of Warner Bros. & Nintendo.
        • Make the show more creative freedom and not bogged down by executive meddling, mandates, and restriction.
          • Warner Bros., Nintendo, and Amblimation never made the infamous mandates due to 100% creative freedom instead of restrictions/mandates.
        • The level sense of humor of Looney Tunes/Merrie Melodies franchise/MGM Cartoons/DePatie-Freleng (including its spin-offs Tiny Toon Adventures and Animaniacs), various Hanna-Barbera animated series (minus OTL's bad reboot shows), Steven Spielberg/Tom Ruegger Warner Bros. animated series from the '90s, Cartoon Network from the '90s-early 2000's (minus OTL's bad reboot shows), Mario & Luigi series, Paper Mario series, Sonic the Hedgehog franchise (unlike the OTL's Pontac and Graff's era), Sonic Boom, Banjo-Kazooie series (since Nintendo bought Rareware in 2000), SpongeBob SquarePants (seasons 1-3/pre movie instead of OTL's post movie), One Piece (Pre-Timeskip), Kid Icarus series (same level as Uprising's humor), and The Lego Movie series while keep creative and clever and feels like a mix of Warner Bros. & Nintendo instead of unnecessary unfunny, pointless, gross out humor, toilet humor, cringe, crude, uncharm, bland for shock value, and etc.
          • Make sure the show's humor has evolved and improved over the years with more personalities, maintaining strong humor in general without losing momentum.
        • The meta humor like Looney Tunes/Merrie Melodies franchise/MGM Cartoons/DePatie-Freleng (including its spin-offs Tiny Toon Adventures and Animaniacs) (due to William Hanna and Joseph Barbera worked for Warner Bros. after leaving MGM and retained the rights for Tom and Jerry), Steven Spielberg/Tom Ruegger Warner Bros. animated series from the '90s, Ed, Edd, n Eddy, Paper Mario series, Sonic Boom (TV series and comics), Kid Icarus series (same level as Uprising's meta humor), Earthbound, The Grim Adventures of Billy and Mandy, Bobobo-bo Bo-bobo, Chowder, and The Amazing World of Gumball (rather than making meta element-filled myth arcs) while keep the more creative, medium, fun, and feels like a mix of Warner Bros. & Nintendo instead of make meta humor were being used to barely cover lazy, insecure writing.
          • Make sure the show's meta humor has evolved and improved over the years with more personalities, maintaining strong meta humor in general without losing momentum.
        • Better ending in every episodes due to better written and avoid meh to worse written in general instead of bad, abysmal, bittersweet, meh, unsatisfying, mean-spirited, and disturbing ending with meh to worse written.
      • Loonimal Prison:
        • The half-hour and full-hour special was inspired by BoskoComicArtist's comic, Loonimal Prison.
        • Since Keroro and the gang are toons looking like animals, they get framed, too.
        • Keep more creativity, experimental, innovation, weird, freedom, interesting, consistent, fresh, unpredictable, charm, fun, and original while feels like a mix of Warner Bros. & Nintendo due to lacked of repetitive, safe, rehashed nostalgia pandering, boring, uninteresting, inconsistent, restrictions/mandates, predictable, uncharm, basic, and bland ones.
        • Make the confessional is similar to Total Drama franchise.
          • Lack of restrictions, repetitive, boring, uncharm, rehashed, predictable, uninteresting, safe, and bland instead keep the more freedom, original, fun, charm, unpredictable, interesting, innovate, fresh, experimental, and creative while feels like a mix of Warner Bros. & Nintendo.
        • Keep it full of charm, fun, creativity, heart of gold, timeless, and innovation while feels like a mix of Warner Bros. & Nintendo rather than lost and becomes fully serious/drama, boring, uncharm, trauma, heartless, uncreativity, grounded, real, depression, and battles.
        • Make the more balance original, Warner Bros., and Nintendo rather than worse and removed.
          • More Warner Bros. and Nintendo characters, references, and easter eggs rather than removed.
          • Unlike the IOTL, make the fan service like Kirby and Mario Movie instead of just sexual things, first game, and settling with the bare minimum.
          • Give the various original, TimeWarner, & Nintendo locations a fully creative, original, fresh, interesting, fun, unpredictable, and experimental with full of charm while feels like a mix of Warner Bros. & Nintendo instead of generic, bland, safe, uncharm, rehashed, boring, uninteresting, and predictable.
          • Keep more creativity, experimental, innovation, weird, freedom, interesting, consistent, fresh, unpredictable, charm, fun, and original while feels like a mix of Warner Bros. & Nintendo due to lacked of repetitive, safe, rehashed nostalgia pandering, boring, uninteresting, inconsistent, restrictions/mandates, predictable, uncharm, basic, and bland ones.
        • Improve the writing, direction, morals, and humor instead of became worse and worse.
          • Use human to write the show instead of use A.I to write.
          • Better written and morals more like humans, creative, fresh, fun, likable, unpredictable, charm, interesting, and unique rather than A.I., mediocre, mean-spirited, bad terrible, uncharm, boring, predictable, uninteresting, rehashed, and bland.
            • Have the morals and life lessons presented in the show be clear, positive, heart, respect, passion, and appropriate for the target audience while feels like a mix of Warner Bros. & Nintendo. Avoid messages that are ridiculous, dangerous, heartless, disrespect, or offensive.
            • Have the show teach positive, heart, respect, and valuable morals as a whole while feels like a mix of Warner Bros. & Nintendo. Avoid situations where characters win by using dishonest, heartless, disrespect, misunderstanding, or harmful tactics, and instead focus on resolving conflicts through communication, honest, empathy, respect, and understanding while feels like a mix of Warner Bros. & Nintendo.
          • Make sure the show's writing, direction, morals, and writing has evolved and improved over the years with more personalities, maintaining strong writing, direction, morals, writing, and art-style in general without losing momentum.
        • No more pacing and execution issues.
        • Make the animation look more expressive, full of life, upgrade, and fun rather than stiff, lifeless, downgrade, and boring.
          • For example, Ed, Edd, n Eddy is more expressive and incredibly consistent and Ed, Edd, n Eddy's animation was more focused on developing acting through full body movement & posing. Designs that allow for characters to be super expressive while not drifting too too far from model.
          • Give the animators are full of freedom, consistent, charm, and fun instead of limited, inconsistent, boring, uncharm, and restriction.
        • Make the plot, locations, running gags, title cards, eyecatches, characters, and transitions are fully original, charm, experimental, fun, consistent, fresh, interesting, unpredictable, and creative while feels like a mix of Warner Bros. & Nintendo instead of reused, safe, uncharm, boring, retconned, confusing, rehashed, cliché, weak, inconsistent, predictable, confusing, uninteresting, and bland.
          • Make the running gags are more original, charm, experimental, creative freedom, fun, interesting, fresh, consistent, charm, unpredictable, and creative while feels like a mix of Warner Bros. & Nintendo instead of reused, safe, charmless, retconned, cliché, feeling forced, cringe, inconsistent, restrictions, confusing, predictable, boring, rehashed, uninteresting, and bland.
        • Make the characters have more unique, creativity, charm, smart, selfless, consistent, fleshed out, mature, and likable personalities while feels like a mix of Warner Bros. & Nintendo and keep 100% faithful the video games personalities due to the characters remains unflanderized instead of reused, one-note character, uncharm, inconsistent, immature, stupid, selfish, and mean-spirited/unlikable.
          • Keep the characters started to get slowly progressively passive, smart, charm, consistent, fleshed out, selfless, and likable while feels like a mix of Warner Bros. & Nintendo and keep 100% faithful the video games characters due to the characters remains unflanderized instead of annoying, one-note character, inconsistent, stupid, uncharm, selfish, and unlikable.
        • The gross-out, annoying moments, low-brow humor, toilet humor, fart jokes, swear words, cringeworthy moments, sterile moments, racial stereotypes, seasonal rot, rip-off stuffs, relationship drama, plot holes, rehashed nostalgia pandering, safe ideas, repetitive stuff, bland stuff, controversial scenes, mean-spirited humor, common fetishes, product placement (except for when it's for the good of Warner Bros. & Nintendo) and cliché plots would be all removed.
        • Have better written Time Warner and Nintendo worlds as part of the main plot and not bound and gagged.
          • Lack of restrictions, repetitive, boring, charmless, retconned, feeling forced, inconsistent, cringe, cliché, confusing, predictable, uninteresting, safe, and bland instead keep the more freedom, original, fun, charm, unpredictable, interesting, consistent, experimental, and creative while feels like a mix of Warner Bros. & Nintendo.
        • Make the show more creative freedom and not bogged down by executive meddling, mandates, and restriction.
          • Warner Bros., Nintendo, and Amblimation never made the infamous mandates due to 100% creative freedom instead of restrictions/mandates.
        • The level sense of humor of Looney Tunes/Merrie Melodies franchise/MGM Cartoons/DePatie-Freleng (including its spin-offs Tiny Toon Adventures and Animaniacs), various Hanna-Barbera animated series (minus OTL's bad reboot shows), Steven Spielberg/Tom Ruegger Warner Bros. animated series from the '90s, Cartoon Network from the '90s-early 2000's (minus OTL's bad reboot shows), Mario & Luigi series, Paper Mario series, Sonic the Hedgehog franchise (unlike the OTL's Pontac and Graff's era), Sonic Boom, Banjo-Kazooie series (since Nintendo bought Rareware in 2000), SpongeBob SquarePants (seasons 1-3/pre movie instead of OTL's post movie), One Piece (Pre-Timeskip), Kid Icarus series (same level as Uprising's humor), and The Lego Movie series while keep creative and clever and feels like a mix of Warner Bros. & Nintendo instead of unnecessary unfunny, pointless, gross out humor, toilet humor, cringe, crude, uncharm, bland for shock value, and etc.
          • Make sure the show's humor has evolved and improved over the years with more personalities, maintaining strong humor in general without losing momentum.
        • The meta humor like Looney Tunes/Merrie Melodies franchise/MGM Cartoons/DePatie-Freleng (including its spin-offs Tiny Toon Adventures and Animaniacs) (due to William Hanna and Joseph Barbera worked for Warner Bros. after leaving MGM and retained the rights for Tom and Jerry), Steven Spielberg/Tom Ruegger Warner Bros. animated series from the '90s, Ed, Edd, n Eddy, Paper Mario series, Sonic Boom (TV series and comics), Kid Icarus series (same level as Uprising's meta humor), Earthbound, The Grim Adventures of Billy and Mandy, Bobobo-bo Bo-bobo, Chowder, and The Amazing World of Gumball (rather than making meta element-filled myth arcs) while keep the more creative, medium, fun, and feels like a mix of Warner Bros. & Nintendo instead of make meta humor were being used to barely cover lazy, insecure writing.
          • Make sure the show's meta humor has evolved and improved over the years with more personalities, maintaining strong meta humor in general without losing momentum.
        • Better ending in every episodes due to better written and avoid meh to worse written in general instead of bad, abysmal, bittersweet, meh, unsatisfying, mean-spirited, and disturbing ending with meh to worse written.
      • Merrie Melodies are one-two minute music videos that air in the middle of this show.
        • This segment is animated music videos of original, Warner Bros, Nintendo and Sega songs spotlighting everyone the show instead of modernized them to sing bland Top 40 hits and public domain.
          • Make the soundtrack is more original, experimental, refresh, fun, freedom, unpredictable, interesting, consistent, charm, and creative while feels like a mix of Warner Bros. & Nintendo instead of generic, boring, rehashed, predictable, uncharm, uninteresting, limited/restrictions, inconsistent, weak, safe, and bland.
          • It was strongly influenced by Carl Stalling, Scott Bradley, Milt Franklyn, Hoyt Curtin, Ted Nicholas, Richard Stone, Akifumi Tada and Hirokazu Tanaka, and various Nintendo & Sega composers work on the Looney Tunes/Merrie Melodies series (due to William Hanna and Joseph Barbera worked for Warner Bros. after leaving MGM and retained the rights for Tom and Jerry) and various Nintendo & Sega games ITTL due to feels like a mix of Warner Bros. & Nintendo.
          • Make the various original games, Warner Bros., and Nintendo music references similar to The Super Mario Bros. Movie instead of make the licensed musics.
          • More music variety and not just one.
          • All composers are Warner Bros and Nintendo, having worked at various companies from Japan, United States, the United Kingdom, and Canada.
          • The segment would be reused for Japanese endings of the show,
        • Keep more creativity, experimental, innovation, weird, freedom, interesting, consistent, fresh, unpredictable, charm, fun, and original while feels like a mix of Warner Bros. & Nintendo due to lacked of repetitive, safe, rehashed nostalgia pandering, boring, uninteresting, inconsistent, restrictions/mandates, predictable, uncharm, basic, and bland ones.
        • Keep it full of charm, fun, creativity, heart of gold, timeless, and innovation while feels like a mix of Warner Bros. & Nintendo rather than lost and becomes fully serious/drama, boring, uncharm, trauma, heartless, uncreativity, grounded, real, depression, and battles.
        • Make the more balance original, Warner Bros., and Nintendo rather than worse and removed.
          • More Warner Bros. and Nintendo characters, references, and easter eggs rather than removed.
          • Unlike the IOTL, make the fan service like Kirby and Mario Movie instead of just sexual things, first game, and settling with the bare minimum.
          • Give the various original, TimeWarner, & Nintendo locations a fully creative, original, fresh, interesting, fun, unpredictable, and experimental with full of charm while feels like a mix of Warner Bros. & Nintendo instead of generic, bland, safe, uncharm, rehashed, boring, uninteresting, and predictable.
          • Keep more creativity, experimental, innovation, weird, freedom, interesting, consistent, fresh, unpredictable, charm, fun, and original while feels like a mix of Warner Bros. & Nintendo due to lacked of repetitive, safe, rehashed nostalgia pandering, boring, uninteresting, inconsistent, restrictions/mandates, predictable, uncharm, basic, and bland ones.
        • No more pacing and execution issues.
        • Make the animation look more expressive, full of life, upgrade, and fun rather than stiff, lifeless, downgrade, and boring.
          • For example, Ed, Edd, n Eddy is more expressive and incredibly consistent and Ed, Edd, n Eddy's animation was more focused on developing acting through full body movement & posing. Designs that allow for characters to be super expressive while not drifting too too far from model.
          • Give the animators are full of freedom, consistent, charm, and fun instead of limited, inconsistent, boring, uncharm, and restriction.
        • Make the plot, locations, running gags, title cards, eyecatches, characters, and transitions are fully original, charm, experimental, consistent, fun, fresh, interesting, unpredictable, and creative while feels like a mix of Warner Bros. & Nintendo instead of reused, safe, uncharm, boring, retconned, weak, confusing, cliché, inconsistent, rehashed, predictable, confusing, uninteresting, and bland.
          • Make the running gags are more original, charm, experimental, creative freedom, fun, interesting, fresh, consistent, charm, unpredictable, and creative while feels like a mix of Warner Bros. & Nintendo instead of reused, safe, charmless, retconned, cliché, feeling forced, cringe, inconsistent, restrictions, confusing, predictable, boring, rehashed, uninteresting, and bland.
        • Improve the writing, direction, morals, and humor instead of became worse and worse.
          • Use human to write the show instead of use A.I to write.
          • Better written and morals more like humans, creative, fresh, fun, likable, unpredictable, charm, interesting, and unique rather than A.I., mediocre, mean-spirited, bad terrible, uncharm, boring, predictable, uninteresting, rehashed, and bland.
            • Have the morals and life lessons presented in the show be clear, positive, heart, respect, passion, and appropriate for the target audience while feels like a mix of Warner Bros. & Nintendo. Avoid messages that are ridiculous, dangerous, heartless, disrespect, or offensive.
            • Have the show teach positive, heart, respect, and valuable morals as a whole while feels like a mix of Warner Bros. & Nintendo. Avoid situations where characters win by using dishonest, heartless, disrespect, misunderstanding, or harmful tactics, and instead focus on resolving conflicts through communication, honest, empathy, respect, and understanding while feels like a mix of Warner Bros. & Nintendo.
          • Make sure the show's writing, direction, morals, and writing has evolved and improved over the years with more personalities, maintaining strong writing, direction, morals, writing, and art-style in general without losing momentum.
        • Make the characters have more unique, creativity, charm, smart, selfless, consistent, fleshed out, mature, and likable personalities while feels like a mix of Warner Bros. & Nintendo and keep 100% faithful the video games personalities due to the characters remains unflanderized instead of reused, one-note character, uncharm, inconsistent, immature, stupid, selfish, and mean-spirited/unlikable.
          • Keep the characters started to get slowly progressively passive, smart, charm, consistent, fleshed out, selfless, and likable while feels like a mix of Warner Bros. & Nintendo and keep 100% faithful the video games characters due to the characters remains unflanderized instead of annoying, one-note character, inconsistent, stupid, uncharm, selfish, and unlikable.
        • The gross-out, annoying moments, low-brow humor, toilet humor, fart jokes, swear words, cringeworthy moments, sterile moments, racial stereotypes, seasonal rot, rip-off stuffs, relationship drama, plot holes, rehashed nostalgia pandering, safe ideas, repetitive stuff, bland stuff, controversial scenes, mean-spirited humor, common fetishes, product placement (except for when it's for the good of Warner Bros. & Nintendo) and cliché plots would be all removed.
        • Have better written Time Warner and Nintendo worlds as part of the main plot and not bound and gagged.
          • Lack of restrictions, repetitive, boring, charmless, retconned, feeling forced, inconsistent, cringe, cliché, confusing, predictable, uninteresting, safe, and bland instead keep the more freedom, original, fun, charm, unpredictable, interesting, consistent, experimental, and creative while feels like a mix of Warner Bros. & Nintendo.
        • Make the show more creative freedom and not bogged down by executive meddling, mandates, and restriction.
          • Warner Bros., Nintendo, and Amblimation never made the infamous mandates due to 100% creative freedom instead of restrictions/mandates.
        • The level sense of humor of Looney Tunes/Merrie Melodies franchise/MGM Cartoons/DePatie-Freleng (including its spin-offs Tiny Toon Adventures and Animaniacs), various Hanna-Barbera animated series (minus OTL's bad reboot shows), Steven Spielberg/Tom Ruegger Warner Bros. animated series from the '90s, Cartoon Network from the '90s-early 2000's (minus OTL's bad reboot shows), Mario & Luigi series, Paper Mario series, Sonic the Hedgehog franchise (unlike the OTL's Pontac and Graff's era), Sonic Boom, Banjo-Kazooie series (since Nintendo bought Rareware in 2000), SpongeBob SquarePants (seasons 1-3/pre movie instead of OTL's post movie), One Piece (Pre-Timeskip), Kid Icarus series (same level as Uprising's humor), and The Lego Movie series while keep creative and clever and feels like a mix of Warner Bros. & Nintendo instead of unnecessary unfunny, pointless, gross out humor, toilet humor, cringe, crude, uncharm, bland for shock value, and etc.
          • Make sure the show's humor has evolved and improved over the years with more personalities, maintaining strong humor in general without losing momentum.
        • The meta humor like Looney Tunes/Merrie Melodies franchise/MGM Cartoons/DePatie-Freleng (including its spin-offs Tiny Toon Adventures and Animaniacs) (due to William Hanna and Joseph Barbera worked for Warner Bros. after leaving MGM and retained the rights for Tom and Jerry), Steven Spielberg/Tom Ruegger Warner Bros. animated series from the '90s, Ed, Edd, n Eddy, Paper Mario series, Sonic Boom (TV series and comics), Kid Icarus series (same level as Uprising's meta humor), Earthbound, The Grim Adventures of Billy and Mandy, Bobobo-bo Bo-bobo, Chowder, and The Amazing World of Gumball (rather than making meta element-filled myth arcs) while keep the more creative, medium, fun, and feels like a mix of Warner Bros. & Nintendo instead of make meta humor were being used to barely cover lazy, insecure writing.
          • Make sure the show's meta humor has evolved and improved over the years with more personalities, maintaining strong meta humor in general without losing momentum.
        • Better ending in every episodes due to better written and avoid meh to worse written in general instead of bad, abysmal, bittersweet, meh, unsatisfying, mean-spirited, and disturbing ending with meh to worse written.
        • The segment's opening uses the That's All Folks theme variant from Blooper Bunny from Looney Tunes/Merrie Melodies franchise.
      • Sonic Says (also known as Sonic Sez) is a series of segments that are seen in the show television series, sometimes in relation to the episode's subject matter. The purpose of Sonic Says is to teach children about various things as a form of public service, with topics such as safety, self-care, and simple "dos" and "don'ts", among others. Such PSAs in kids' cartoons were common at the time, as the Federal Communications Commission (FCC) demanded all children's programs to have a certain amount of educational content in order to air on TV in every episode like OTL’s Adventures of Sonic the Hedgehog. Since Nintendo acquired Sega in 2001.
        • Make the Sonic Says/Sonic Sez intro segments title gags are more original, charm, experimental, freedom, consistent, fun, interesting, unpredictable, and creative while feels like a mix of Warner Bros., Nintendo, and Sega instead of reused, safe, uncharm, predictable, restrictions, boring, inconsistent, uninteresting, and bland.
          • Animated by TMS Entertainment.
          • Added of various Warner Bros., Nintendo, and Sega fonts with full of charm due to lacked of repetitive, uninteresting, inconsistent, basic, mandates, predictable, uncharm, rehashed, boring, rehashed, safe, and bland.
        • Keep more creativity, experimental, innovation, weird, freedom, interesting, consistent, fresh, unpredictable, charm, fun, and original while feels like a mix of Warner Bros. & Nintendo due to lacked of repetitive, safe, rehashed nostalgia pandering, boring, uninteresting, inconsistent, restrictions/mandates, predictable, uncharm, basic, and bland ones.
        • Keep it full of charm, fun, creativity, heart of gold, timeless, and innovation while feels like a mix of Warner Bros. & Nintendo rather than lost and becomes fully serious/drama, boring, uncharm, trauma, heartless, uncreativity, grounded, real, depression, and battles.
        • The 30 second segments based on OTL’s Adventures of Sonic the Hedgehog.
        • Starting aired on May 4, 2001 on Cartoon Network, during the fourth season.
        • Make the more balance original, Warner Bros., and Nintendo rather than worse and removed.
          • More Warner Bros. and Nintendo characters, references, and easter eggs rather than removed.
          • Unlike the IOTL, make the fan service like Kirby and Mario Movie instead of just sexual things, first game, and settling with the bare minimum.
          • Give the various original, TimeWarner, & Nintendo locations a fully creative, original, fresh, interesting, fun, unpredictable, and experimental with full of charm while feels like a mix of Warner Bros. & Nintendo instead of generic, bland, safe, uncharm, rehashed, boring, uninteresting, and predictable.
          • Keep more creativity, experimental, innovation, weird, freedom, interesting, consistent, fresh, unpredictable, charm, fun, and original while feels like a mix of Warner Bros. & Nintendo due to lacked of repetitive, safe, rehashed nostalgia pandering, boring, uninteresting, inconsistent, restrictions/mandates, predictable, uncharm, basic, and bland ones.
        • No more pacing and execution issues.
        • Improve the writing, direction, morals, and humor instead of became worse and worse.
          • Use human to write the show instead of use A.I to write.
          • Better written and morals more like humans, creative, fresh, fun, likable, unpredictable, charm, interesting, and unique rather than A.I., mediocre, mean-spirited, bad terrible, uncharm, boring, predictable, uninteresting, rehashed, and bland.
            • Have the morals and life lessons presented in the show be clear, positive, heart, respect, passion, and appropriate for the target audience while feels like a mix of Warner Bros. & Nintendo. Avoid messages that are ridiculous, dangerous, heartless, disrespect, or offensive.
            • Have the show teach positive, heart, respect, and valuable morals as a whole while feels like a mix of Warner Bros. & Nintendo. Avoid situations where characters win by using dishonest, heartless, disrespect, misunderstanding, or harmful tactics, and instead focus on resolving conflicts through communication, honest, empathy, respect, and understanding while feels like a mix of Warner Bros. & Nintendo.
          • Make sure the show's writing, direction, morals, and writing has evolved and improved over the years with more personalities, maintaining strong writing, direction, morals, writing, and art-style in general without losing momentum.
        • Make the animation look more expressive, full of life, upgrade, and fun rather than stiff, lifeless, downgrade, and boring.
          • Give the animators are full of freedom, consistent, charm, and fun instead of limited, inconsistent, boring, uncharm, and restriction.
        • Make the plot, locations, running gags, title cards, eyecatches, characters, and transitions are fully original, charm, experimental, consistent, fun, fresh, interesting, unpredictable, and creative while feels like a mix of Warner Bros. & Nintendo instead of reused, safe, uncharm, boring, retconned, confusing, weak, cliché, rehashed, inconsistent, predictable, confusing, uninteresting, and bland.
          • Make the running gags are more original, charm, experimental, creative freedom, fun, interesting, fresh, consistent, charm, unpredictable, and creative while feels like a mix of Warner Bros. & Nintendo instead of reused, safe, charmless, retconned, cliché, feeling forced, cringe, inconsistent, restrictions, confusing, predictable, boring, rehashed, uninteresting, and bland.
        • Make the characters have more unique, creativity, charm, smart, selfless, consistent, fleshed out, mature, and likable personalities while feels like a mix of Warner Bros. & Nintendo and keep 100% faithful the video games personalities due to the characters remains unflanderized instead of reused, one-note character, uncharm, inconsistent, immature, stupid, selfish, and mean-spirited/unlikable.
          • Keep the characters started to get slowly progressively passive, smart, charm, consistent, fleshed out, selfless, and likable while feels like a mix of Warner Bros. & Nintendo and keep 100% faithful the video games characters due to the characters remains unflanderized instead of annoying, one-note character, inconsistent, stupid, uncharm, selfish, and unlikable.
        • The gross-out, annoying moments, low-brow humor, toilet humor, fart jokes, swear words, cringeworthy moments, sterile moments, racial stereotypes, seasonal rot, rip-off stuffs, relationship drama, plot holes, rehashed nostalgia pandering, safe ideas, repetitive stuff, bland stuff, controversial scenes, mean-spirited humor, common fetishes, product placement (except for when it's for the good of Warner Bros. & Nintendo) and cliché plots would be all removed.
        • Have better written Time Warner and Nintendo worlds as part of the main plot and not bound and gagged.
          • Lack of restrictions, repetitive, boring, charmless, retconned, feeling forced, inconsistent, cringe, cliché, confusing, predictable, uninteresting, safe, and bland instead keep the more freedom, original, fun, charm, unpredictable, interesting, consistent, experimental, and creative while feels like a mix of Warner Bros. & Nintendo.
        • Make the show more creative freedom and not bogged down by executive meddling, mandates, and restriction.
          • Warner Bros., Nintendo, and Amblimation never made the infamous mandates due to 100% creative freedom instead of restrictions/mandates.
        • The level sense of humor of Looney Tunes/Merrie Melodies franchise/MGM Cartoons/DePatie-Freleng (including its spin-offs Tiny Toon Adventures and Animaniacs), various Hanna-Barbera animated series (minus OTL's bad reboot shows), Steven Spielberg/Tom Ruegger Warner Bros. animated series from the '90s, Cartoon Network from the '90s-early 2000's (minus OTL's bad reboot shows), Mario & Luigi series, Paper Mario series, Sonic the Hedgehog franchise (unlike the OTL's Pontac and Graff's era), Sonic Boom, Banjo-Kazooie series (since Nintendo bought Rareware in 2000), SpongeBob SquarePants (seasons 1-3/pre movie instead of OTL's post movie), One Piece (Pre-Timeskip), Kid Icarus series (same level as Uprising's humor), and The Lego Movie series while keep creative and clever and feels like a mix of Warner Bros. & Nintendo instead of unnecessary unfunny, pointless, gross out humor, toilet humor, cringe, crude, uncharm, bland for shock value, and etc.
          • Make sure the show's humor has evolved and improved over the years with more personalities, maintaining strong humor in general without losing momentum.
        • The meta humor like Looney Tunes/Merrie Melodies franchise/MGM Cartoons/DePatie-Freleng (including its spin-offs Tiny Toon Adventures and Animaniacs) (due to William Hanna and Joseph Barbera worked for Warner Bros. after leaving MGM and retained the rights for Tom and Jerry), Steven Spielberg/Tom Ruegger Warner Bros. animated series from the '90s, Ed, Edd, n Eddy, Paper Mario series, Sonic Boom (TV series and comics), Kid Icarus series (same level as Uprising's meta humor), Earthbound, The Grim Adventures of Billy and Mandy, Bobobo-bo Bo-bobo, Chowder, and The Amazing World of Gumball (rather than making meta element-filled myth arcs) while keep the more creative, medium, fun, and feels like a mix of Warner Bros. & Nintendo instead of make meta humor were being used to barely cover lazy, insecure writing.
          • Make sure the show's meta humor has evolved and improved over the years with more personalities, maintaining strong meta humor in general without losing momentum.
        • Better ending in every episodes due to better written and avoid meh to worse written in general instead of bad, abysmal, bittersweet, meh, unsatisfying, mean-spirited, and disturbing ending with meh to worse written.
    • This is the first show to be based on a Warner Bros. Interactive Entertainment video game franchise.
    • It does not get too much praise from Cartoon Network, Kids' WB, and Boomerang, unlike the OTL's Teen Titans GO!, many OTL's bad shows, and OTL's bad reboot shows.
    • Make the show's marathons, blocks, Station IDs, promos, and bumpers are more unique, refresh, consistent, unpredictable, fun, freedom, interesting, experimental, creativity, and charm while feels like a mix of Warner Bros. & Nintendo instead of restrictions, uncharm, boring, uninteresting, predictable, inconsistent, mandates, rehash, repetitive, safe, and bland.
What if Video Game Industry will be different and better from these days?/Nintendo/Keroro Frog/The Adventures of Keroro Frog (2025)
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